32 ideas
| 1597 | Thales was the first western thinker to believe the arché was intelligible [Roochnik on Thales] |
| 9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
| 10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
| 10145 | Abstracts cannot be identified with sets [Fine,K] |
| 10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
| 10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 3013 | Nothing is stronger than necessity, which rules everything [Thales, by Diog. Laertius] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
| 10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
| 10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
| 9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
| 10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
| 10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 1494 | Thales said water is the first principle, perhaps from observing that food is moist [Thales, by Aristotle] |
| 1713 | Thales must have thought soul causes movement, since he thought magnets have soul [Thales, by Aristotle] |
| 1742 | Thales said the gods know our wrong thoughts as well as our evil actions [Thales, by Diog. Laertius] |