Combining Texts

All the ideas for 'fragments/reports', 'works' and 'An Essay in Aesthetics'

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24 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
21489 Super-ordinate disciplines give laws or principles; subordinate disciplines give concrete cases [Peirce, by Atkin]
3. Truth / E. Pragmatic Truth / 1. Pragmatic Truth
19095 Pragmatic 'truth' is a term to cover the many varied aims of enquiry [Peirce, by Misak]
19097 Peirce did not think a belief was true if it was useful [Peirce, by Misak]
21494 If truth is the end of enquiry, what if it never ends, or ends prematurely? [Atkin on Peirce]
5. Theory of Logic / C. Ontology of Logic / 3. If-Thenism
21493 Pure mathematics deals only with hypotheses, of which the reality does not matter [Peirce]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
19102 Bivalence is a regulative assumption of enquiry - not a law of logic [Peirce, by Misak]
7. Existence / D. Theories of Reality / 3. Reality
10352 The real is the idea in which the community ultimately settles down [Peirce]
8. Modes of Existence / A. Relations / 1. Nature of Relations
13498 Peirce and others began the mapping out of relations [Peirce, by Hart,WD]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / d. Dispositions as occurrent
21491 Peirce's later realism about possibilities and generalities went beyond logical positivism [Peirce, by Atkin]
10. Modality / E. Possible worlds / 1. Possible Worlds / d. Possible worlds actualism
16376 The possible can only be general, and the force of actuality is needed to produce a particular [Peirce]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
19107 Inquiry is not standing on bedrock facts, but standing in hope on a shifting bog [Peirce]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
25. Social Practice / E. Policies / 5. Education / b. Education principles
13304 Learned men gain more in one day than others do in a lifetime [Posidonius]
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
20820 Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]