39 ideas
291 | Don't assume that wisdom is the automatic consequence of old age [Plato] |
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
5791 | Reduction is either by elimination, or by explanation [Searle] |
5799 | Eliminative reduction needs a gap between appearance and reality, as in sunsets [Searle] |
5790 | A property is 'emergent' if it is caused by elements of a system, when the elements lack the property [Searle] |
5792 | Explanation of how we unify our mental stimuli into a single experience is the 'binding problem' [Searle] |
5786 | A system is either conscious or it isn't, though the intensity varies a lot [Searle] |
5794 | Consciousness has a first-person ontology, which only exists from a subjective viewpoint [Searle] |
5795 | There isn't one consciousness (information-processing) which can be investigated, and another (phenomenal) which can't [Searle] |
5788 | The use of 'qualia' seems to imply that consciousness and qualia are separate [Searle] |
5789 | I now think syntax is not in the physics, but in the eye of the beholder [Searle] |
5798 | Consciousness has a first-person ontology, so it cannot be reduced without omitting something [Searle] |
5787 | There is non-event causation between mind and brain, as between a table and its solidity [Searle] |
5797 | The pattern of molecules in the sea is much more complex than the complexity of brain neurons [Searle] |
5796 | If tree rings contain information about age, then age contains information about rings [Searle] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
293 | Being unafraid (perhaps through ignorance) and being brave are two different things [Plato] |