Combining Texts

All the ideas for 'works', 'fragments/reports' and 'The Philosophy of Art (2nd ed)'

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55 ideas

1. Philosophy / A. Wisdom / 1. Nature of Wisdom
For Plato true wisdom is supernatural [Plato, by Weil]
1. Philosophy / C. History of Philosophy / 2. Ancient Philosophy / b. Pre-Socratic philosophy
Plato never mentions Democritus, and wished to burn his books [Plato, by Diog. Laertius]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / C. Styles of Reason / 1. Dialectic
Two contradictories force us to find a relation which will correlate them [Plato, by Weil]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
8. Modes of Existence / A. Relations / 3. Structural Relations
Plato's idea of 'structure' tends to be mathematically expressed [Plato, by Koslicki]
8. Modes of Existence / D. Universals / 6. Platonic Forms / a. Platonic Forms
Platonists argue for the indivisible triangle-in-itself [Plato, by Aristotle]
Plato's Forms meant that the sophists only taught the appearance of wisdom and virtue [Plato, by Nehamas]
When Diogenes said he could only see objects but not their forms, Plato said it was because he had eyes but no intellect [Plato, by Diog. Laertius]
8. Modes of Existence / D. Universals / 6. Platonic Forms / b. Partaking
If there is one Form for both the Form and its participants, they must have something in common [Aristotle on Plato]
8. Modes of Existence / D. Universals / 6. Platonic Forms / c. Self-predication
If gods are like men, they are just eternal men; similarly, Forms must differ from particulars [Aristotle on Plato]
8. Modes of Existence / D. Universals / 6. Platonic Forms / d. Forms critiques
A Form is a cause of things only in the way that white mixed with white is a cause [Aristotle on Plato]
The Forms cannot be changeless if they are in changing things [Aristotle on Plato]
9. Objects / A. Existence of Objects / 2. Abstract Objects / a. Nature of abstracta
The greatest discovery in human thought is Plato's discovery of abstract objects [Brown,JR on Plato]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
We can grasp whole things in science, because they have a mathematics and a teleology [Plato, by Koslicki]
9. Objects / B. Unity of Objects / 1. Unifying an Object / a. Intrinsic unification
Plato sees an object's structure as expressible in mathematics [Plato, by Koslicki]
Plato was less concerned than Aristotle with the source of unity in a complex object [Plato, by Koslicki]
9. Objects / B. Unity of Objects / 2. Substance / c. Types of substance
Plato's holds that there are three substances: Forms, mathematical entities, and perceptible bodies [Plato, by Aristotle]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Plato says wholes are either containers, or they're atomic, or they don't exist [Plato, by Koslicki]
9. Objects / D. Essence of Objects / 2. Types of Essence
Only universals have essence [Plato, by Politis]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Plato and Aristotle take essence to make a thing what it is [Plato, by Politis]
14. Science / D. Explanation / 1. Explanation / b. Aims of explanation
A good explanation totally rules out the opposite explanation (so Forms are required) [Plato, by Ruben]
18. Thought / A. Modes of Thought / 3. Emotions / g. Controlling emotions
Plato wanted to somehow control and purify the passions [Vlastos on Plato]
19. Language / F. Communication / 1. Rhetoric
Plato's whole philosophy may be based on being duped by reification - a figure of speech [Benardete,JA on Plato]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Immorality may or may not be an artistic defect [Davies,S]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
Plato never refers to examining the conscience [Plato, by Foucault]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
As religion and convention collapsed, Plato sought morals not just in knowledge, but in the soul [Williams,B on Plato]
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
Plato's legacy to European thought was the Good, the Beautiful and the True [Plato, by Gray]
22. Metaethics / C. The Good / 1. Goodness / f. Good as pleasure
Pleasure is better with the addition of intelligence, so pleasure is not the good [Plato, by Aristotle]
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
Plato decided that the virtuous and happy life was the philosophical life [Plato, by Nehamas]
23. Ethics / C. Virtue Theory / 1. Virtue Theory / a. Nature of virtue
Plato, unusually, said that theoretical and practical wisdom are inseparable [Plato, by Kraut]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The cardinal virtues are theoretical (based on knowledge), and others are 'non-theoretical' [Hecato, by Dorandi]
23. Ethics / F. Existentialism / 4. Boredom
Plato is boring [Nietzsche on Plato]
27. Natural Reality / D. Time / 3. Parts of Time / a. Beginning of time
Almost everyone except Plato thinks that time could not have been generated [Plato, by Aristotle]