Combining Texts

All the ideas for 'Laches', 'Necessity, Essence and Individuation' and 'Art'

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42 ideas

1. Philosophy / A. Wisdom / 3. Wisdom Deflated
Don't assume that wisdom is the automatic consequence of old age [Plato]
1. Philosophy / E. Nature of Metaphysics / 6. Metaphysics as Conceptual
Metaphysics is clarifying how we speak and think (and possibly improving it) [Sidelle]
2. Reason / E. Argument / 7. Thought Experiments
We seem to base necessities on thought experiments and imagination [Sidelle]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / d. Dispositions as occurrent
There doesn't seem to be anything in the actual world that can determine modal facts [Sidelle]
9. Objects / D. Essence of Objects / 2. Types of Essence
Causal reference presupposes essentialism if it refers to modally extended entities [Sidelle]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / c. Essentials are necessary
Clearly, essential predications express necessary properties [Sidelle]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Being a deepest explanatory feature is an actual, not a modal property [Sidelle]
9. Objects / D. Essence of Objects / 15. Against Essentialism
That the essence of water is its microstructure is a convention, not a discovery [Sidelle]
9. Objects / F. Identity among Objects / 3. Relative Identity
We aren't clear about 'same stuff as this', so a principle of individuation is needed to identify it [Sidelle]
10. Modality / A. Necessity / 4. De re / De dicto modality
Evaluation of de dicto modalities does not depend on the identity of its objects [Sidelle]
10. Modality / C. Sources of Modality / 3. Necessity by Convention
Necessary a posteriori is conventional for necessity and nonmodal for a posteriority [Sidelle, by Sider]
To know empirical necessities, we need empirical facts, plus conventions about which are necessary [Sidelle]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
The necessary a posteriori is statements either of identity or of essence [Sidelle]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
Empiricism explores necessities and concept-limits by imagining negations of truths [Sidelle]
Contradictoriness limits what is possible and what is imaginable [Sidelle]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
The individuals and kinds involved in modality are also a matter of convention [Sidelle]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
A thing doesn't need transworld identity prior to rigid reference - that could be a convention of the reference [Sidelle]
'Dthat' operates to make a singular term into a rigid term [Sidelle]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
A priori knowledge is entirely of analytic truths [Sidelle]
18. Thought / C. Content / 5. Twin Earth
That water is essentially H2O in some way concerns how we use 'water' [Sidelle]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
Causal reference seems to get directly at the object, thus leaving its nature open [Sidelle]
19. Language / B. Reference / 5. Speaker's Reference
Because some entities overlap, reference must have analytic individuation principles [Sidelle]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
23. Ethics / C. Virtue Theory / 3. Virtues / d. Courage
Being unafraid (perhaps through ignorance) and being brave are two different things [Plato]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
Can anything in science reveal the necessity of what it discovers? [Sidelle]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]