Combining Texts

All the ideas for 'fragments/reports', 'The Philosophy of Art (2nd ed)' and 'The Principles of Art'

expand these ideas     |    start again     |     specify just one area for these texts


54 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / A. Nature of Reason / 1. On Reason
Parmenides was much more cautious about accepting ideas than his predecessors [Simplicius on Parmenides]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
No necessity could produce Being either later or earlier, so it must exist absolutely or not at all [Parmenides]
Being must be eternal and uncreated, and hence it is timeless [Parmenides]
Being is not divisible, since it is all alike [Parmenides]
7. Existence / A. Nature of Existence / 3. Being / d. Non-being
There is no such thing as nothing [Parmenides]
The realm of necessary non-existence cannot be explored, because it is unknowable [Parmenides]
7. Existence / A. Nature of Existence / 3. Being / f. Primary being
Parmenides at least saw Being as the same as Nous, and separate from the sensed realm [Parmenides, by Plotinus]
7. Existence / B. Change in Existence / 1. Nature of Change
All our concepts of change and permanence are just names, not the truth [Parmenides]
9. Objects / E. Objects over Time / 1. Objects over Time
Something must be unchanging to make recognition and knowledge possible [Aristotle on Parmenides]
10. Modality / A. Necessity / 5. Metaphysical Necessity
The first way of enquiry involves necessary existence [Parmenides]
10. Modality / A. Necessity / 8. Transcendental Necessity
Necessity sets limits on being, in order to give it identity [Parmenides]
11. Knowledge Aims / B. Certain Knowledge / 4. The Cogito
Thinking implies existence, because thinking depends on it [Parmenides]
12. Knowledge Sources / B. Perception / 1. Perception
Parmenides treats perception and intellectual activity as the same [Theophrastus on Parmenides]
12. Knowledge Sources / C. Rationalism / 1. Rationalism
Only reason can prove the truth of facts [Parmenides]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / e. The One
People who say that the cosmos is one forget that they must explain movement [Aristotle on Parmenides]
There could be movement within one thing, as there is within water [Aristotle on Parmenides]
The one can't be divisible, because if it was it could be infinitely divided down to nothing [Parmenides, by Simplicius]
Defenders of the One say motion needs the void - but that is not part of Being [Parmenides, by Aristotle]
The one is without any kind of motion [Parmenides]
Reason sees reality as one, the senses see it as many [Aristotle on Parmenides]
Reality is symmetrical and balanced, like a sphere, with no reason to be greater one way rather than another [Parmenides]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / f. Ancient elements
He taught that there are two elements, fire the maker, and earth the matter [Parmenides, by Diog. Laertius]
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
It is feeble-minded to look for explanations of everything being at rest [Aristotle on Parmenides]
27. Natural Reality / C. Space / 1. Void
The void can't exist, and without the void there can't be movement or separation [Parmenides, by Aristotle]
27. Natural Reality / D. Time / 3. Parts of Time / a. Beginning of time
What could have triggered the beginning [of time and being]? [Parmenides]
27. Natural Reality / E. Cosmology / 1. Cosmology
He was the first to discover the identity of the Morning and Evening Stars [Parmenides, by Diog. Laertius]
He was the first person to say the earth is spherical [Parmenides, by Diog. Laertius]