Combining Texts

All the ideas for 'fragments/reports', 'An Essay in Aesthetics' and 'Notebooks 1914-1916'

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21 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
18274 Analysis complicates a statement, but only as far as the complexity of its meaning [Wittgenstein]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
16908 We can dispense with self-evidence, if language itself prevents logical mistakes [Jeshion on Wittgenstein]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
18276 A statement's logical form derives entirely from its constituents [Wittgenstein]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
6563 'And' and 'not' are non-referring terms, which do not represent anything [Wittgenstein, by Fogelin]
7. Existence / C. Structure of Existence / 6. Fundamentals / d. Logical atoms
23472 The sense of propositions relies on the world's basic logical structure [Wittgenstein]
12. Knowledge Sources / A. A Priori Knowledge / 5. A Priori Synthetic
23500 My main problem is the order of the world, and whether it is knowable a priori [Wittgenstein]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
22323 The philosophical I is the metaphysical subject, the limit - not a part of the world [Wittgenstein]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
23481 Propositions assemble a world experimentally, like the model of a road accident [Wittgenstein]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
25. Social Practice / F. Life Issues / 4. Suicide
4678 Absolute prohibitions are the essence of ethics, and suicide is the most obvious example [Wittgenstein]
28. God / A. Divine Nature / 1. God
6011 There is a remote first god (the Good), and a second god who organises the material world [Numenius, by O'Meara]