35 ideas
| 3123 | Science is in the business of carving nature at the joints [Segal] |
| 3125 | Psychology studies the way rationality links desires and beliefs to causality [Segal] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 3105 | Is 'Hesperus = Phosphorus' metaphysically necessary, but not logically or epistemologically necessary? [Segal] |
| 3106 | If claims of metaphysical necessity are based on conceivability, we should be cautious [Segal] |
| 3113 | The success and virtue of an explanation do not guarantee its truth [Segal] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 3112 | Folk psychology is ridiculously dualist in its assumptions [Segal] |
| 3108 | If 'water' has narrow content, it refers to both H2O and XYZ [Segal] |
| 3110 | Humans are made of H2O, so 'twins' aren't actually feasible [Segal] |
| 3124 | Externalists can't assume old words refer to modern natural kinds [Segal] |
| 3117 | Concepts can survive a big change in extension [Segal] |
| 3104 | Must we relate to some diamonds to understand them? [Segal] |
| 3103 | Maybe content involves relations to a language community [Segal] |
| 3111 | Externalism can't explain concepts that have no reference [Segal] |
| 3109 | If content is external, so are beliefs and desires [Segal] |
| 3116 | Maybe experts fix content, not ordinary users [Segal] |
| 3121 | If content is narrow, my perfect twin shares my concepts [Segal] |
| 3118 | If thoughts ARE causal, we can't explain how they cause things [Segal] |
| 3119 | Even 'mass' cannot be defined in causal terms [Segal] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 6011 | There is a remote first god (the Good), and a second god who organises the material world [Numenius, by O'Meara] |