56 ideas
| 16241 | The metaphysics of nature should focus on physics [Maudlin] |
| 16257 | Kant survives in seeing metaphysics as analysing our conceptual system, which is a priori [Maudlin] |
| 16276 | Wide metaphysical possibility may reduce metaphysics to analysis of fantasies [Maudlin] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 16244 | If the universe is profligate, the Razor leads us astray [Maudlin] |
| 16255 | The Razor rightly prefers one cause of multiple events to coincidences of causes [Maudlin] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 16243 | The Humean view is wrong; laws and direction of time are primitive, and atoms are decided by physics [Maudlin] |
| 16271 | Lewis says it supervenes on the Mosaic, but actually thinks the Mosaic is all there is [Maudlin] |
| 16273 | If the Humean Mosaic is ontological bedrock, there can be no explanation of its structure [Maudlin] |
| 16275 | The 'spinning disc' is just impossible, because there cannot be 'homogeneous matter' [Maudlin] |
| 16258 | To get an ontology from ontological commitment, just add that some theory is actually true [Maudlin] |
| 16259 | Naïve translation from natural to formal language can hide or multiply the ontology [Maudlin] |
| 16253 | A property is fundamental if two objects can differ in only that respect [Maudlin] |
| 16263 | Fundamental physics seems to suggest there are no such things as properties [Maudlin] |
| 16260 | Existence of universals may just be decided by acceptance, or not, of second-order logic [Maudlin] |
| 16277 | Logically impossible is metaphysically impossible, but logically possible is not metaphysically possible [Maudlin] |
| 16249 | A counterfactual antecedent commands the redescription of a selected moment [Maudlin] |
| 16254 | Induction leaps into the unknown, but usually lands safely [Maudlin] |
| 16245 | Laws should help explain the things they govern, or that manifest them [Maudlin] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| 16248 | Evaluating counterfactuals involves context and interests [Maudlin] |
| 16250 | We don't pick a similar world from many - we construct one possibility from the description [Maudlin] |
| 16267 | If we know the cause of an event, we seem to assent to the counterfactual [Maudlin] |
| 16268 | The counterfactual is ruined if some other cause steps in when the antecedent fails [Maudlin] |
| 16269 | If the effect hadn't occurred the cause wouldn't have happened, so counterfactuals are two-way [Maudlin] |
| 16242 | Laws of nature are ontological bedrock, and beyond analysis [Maudlin] |
| 16247 | Laws are primitive, so two indiscernible worlds could have the same laws [Maudlin] |
| 16272 | Fundamental laws say how nature will, or might, evolve from some initial state [Maudlin] |
| 16251 | 'Humans with prime house numbers are mortal' is not a law, because not a natural kind [Maudlin] |
| 16270 | If laws are just regularities, then there have to be laws [Maudlin] |
| 16264 | I believe the passing of time is a fundamental fact about the world [Maudlin] |
| 16265 | If time passes, presumably it passes at one second per second [Maudlin] |
| 16266 | There is one ordered B series, but an infinitude of A series, depending on when the present is [Maudlin] |