25 ideas
| 10397 | Abelard's mereology involves privileged and natural divisions, and principal parts [Abelard, by King,P] |
| 10395 | Abelard was an irrealist about virtually everything apart from concrete individuals [Abelard, by King,P] |
| 10396 | If 'animal' is wholly present in Socrates and an ass, then 'animal' is rational and irrational [Abelard, by King,P] |
| 15384 | Only words can be 'predicated of many'; the universality is just in its mode of signifying [Abelard, by Panaccio] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8481 | The de dicto-de re modality distinction dates back to Abelard [Abelard, by Orenstein] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 15385 | Abelard's problem is the purely singular aspects of things won't account for abstraction [Panaccio on Abelard] |
| 15383 | Nothing external can truly be predicated of an object [Abelard, by Panaccio] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| 10398 | Natural kinds are not special; they are just well-defined resemblance collections [Abelard, by King,P] |