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All the ideas for 'Mahaprajnaparamitashastra', 'Ontology' and 'The Philosophy of Art (2nd ed)'

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47 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
The modal logic of C.I.Lewis was only interpreted by Kripke and Hintikka in the 1960s [Jacquette]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
Logic describes inferences between sentences expressing possible properties of objects [Jacquette]
5. Theory of Logic / C. Ontology of Logic / 2. Platonism in Logic
Logic is not just about signs, because it relates to states of affairs, objects, properties and truth-values [Jacquette]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / c. Theory of definite descriptions
On Russell's analysis, the sentence "The winged horse has wings" comes out as false [Jacquette]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / d. Russell's paradox
Can a Barber shave all and only those persons who do not shave themselves? [Jacquette]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
To grasp being, we must say why something exists, and why there is one world [Jacquette]
7. Existence / A. Nature of Existence / 5. Reason for Existence
Existence is completeness and consistency [Jacquette]
Being is maximal consistency [Jacquette]
7. Existence / D. Theories of Reality / 1. Ontologies
Ontology is the same as the conceptual foundations of logic [Jacquette]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
Ontology must include the minimum requirements for our semantics [Jacquette]
7. Existence / E. Categories / 3. Proposed Categories
Logic is based either on separate objects and properties, or objects as combinations of properties [Jacquette]
Reduce states-of-affairs to object-property combinations, and possible worlds to states-of-affairs [Jacquette]
8. Modes of Existence / B. Properties / 11. Properties as Sets
If classes can't be eliminated, and they are property combinations, then properties (universals) can't be either [Jacquette]
9. Objects / A. Existence of Objects / 1. Physical Objects
An object is a predication subject, distinguished by a distinctive combination of properties [Jacquette]
9. Objects / A. Existence of Objects / 2. Abstract Objects / c. Modern abstracta
Numbers, sets and propositions are abstract particulars; properties, qualities and relations are universals [Jacquette]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
The actual world is a consistent combination of states, made of consistent property combinations [Jacquette]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
The actual world is a maximally consistent combination of actual states of affairs [Jacquette]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / c. Worlds as propositions
Do proposition-structures not associated with the actual world deserve to be called worlds? [Jacquette]
We must experience the 'actual' world, which is defined by maximally consistent propositions [Jacquette]
15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
If qualia supervene on intentional states, then intentional states are explanatorily fundamental [Jacquette]
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
Reduction of intentionality involving nonexistent objects is impossible, as reduction must be to what is actual [Jacquette]
19. Language / D. Propositions / 1. Propositions
The extreme views on propositions are Frege's Platonism and Quine's extreme nominalism [Jacquette]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Immorality may or may not be an artistic defect [Davies,S]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]