Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Identity and Essence' and 'An Essay in Aesthetics'

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25 ideas

9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
12132 Indiscernibility is a necessary and sufficient condition for identity [Brody]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
15834 Brody bases sortal essentialism on properties required throughout something's existence [Brody, by Mackie,P]
9. Objects / C. Structure of Objects / 2. Hylomorphism / a. Hylomorphism
12140 Modern emphasis is on properties had essentially; traditional emphasis is on sort-defining properties [Brody]
9. Objects / D. Essence of Objects / 5. Essence as Kind
11895 A sortal essence is a property which once possessed always possessed [Brody, by Mackie,P]
12141 Maybe essential properties are those which determine a natural kind? [Brody]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
12137 De re essentialism standardly says all possible objects identical with a have a's essential properties [Brody]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
12142 Essentially, a has P, always had P, must have had P, and has never had a future without P [Brody]
12143 An object having a property essentially is equivalent to its having it necessarily [Brody]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
12144 Essentialism is justified if the essential properties of things explain their other properties [Brody]
9. Objects / D. Essence of Objects / 12. Essential Parts
12139 Mereological essentialism says that every part that ensures the existence is essential [Brody]
9. Objects / E. Objects over Time / 12. Origin as Essential
12135 Interrupted objects have two first moments of existence, which could be two beginnings [Brody]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
12130 a and b share all properties; so they share being-identical-with-a; so a = b [Brody]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
12138 Identity across possible worlds is prior to rigid designation [Brody]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
7903 The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]