23 ideas
| 16129 | Evans argues (falsely!) that a contradiction follows from treating objects as vague [Evans, by Lowe] |
| 16459 | Is it coherent that reality is vague, identities can be vague, and objects can have fuzzy boundaries? [Evans] |
| 16457 | There clearly are vague identity statements, and Evans's argument has a false conclusion [Evans, by Lewis] |
| 16460 | Evans assumes there can be vague identity statements, and that his proof cannot be right [Evans, by Lewis] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14484 | If a=b is indeterminate, then a=/=b, and so there cannot be indeterminate identity [Evans, by Thomasson] |
| 16224 | There can't be vague identity; a and b must differ, since a, unlike b, is only vaguely the same as b [Evans, by PG] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 20239 | Unlike us, the early Greeks thought envy was a good thing, and hope a bad thing [Hesiod, by Nietzsche] |