37 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
17292 | Avoid 'in virtue of' for grounding, since it might imply a reflexive relation such as identity [Audi,P] |
17295 | Ground relations depend on the properties [Audi,P] |
17297 | A ball's being spherical non-causally determines its power to roll [Audi,P] |
17302 | Ground is irreflexive, asymmetric, transitive, non-monotonic etc. [Audi,P] |
17303 | The best critique of grounding says it is actually either identity or elimination [Audi,P] |
17294 | Grounding is a singular relation between worldly facts [Audi,P] |
17300 | If grounding relates facts, properties must be included, as well as objects [Audi,P] |
17296 | We must accept grounding, for our important explanations [Audi,P] |
17301 | Reduction is just identity, so the two things are the same fact, so reduction isn't grounding [Audi,P] |
17293 | Worldly facts are obtaining states of affairs, with constituents; conceptual facts also depend on concepts [Audi,P] |
17298 | Two things being identical (like water and H2O) is not an explanation [Audi,P] |
17299 | There are plenty of examples of non-causal explanation [Audi,P] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
20239 | Unlike us, the early Greeks thought envy was a good thing, and hope a bad thing [Hesiod, by Nietzsche] |