Combining Texts

All the ideas for 'fragments/reports', 'German Philosophy 1760-1860' and 'Critique of Judgement I: Aesthetic'

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21 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard]
Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard]
The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard]
1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
In Hegel's time naturalism was called 'Spinozism' [Pinkard]
7. Existence / A. Nature of Existence / 3. Being / d. Non-being
Not-Being obviously doesn't exist, and the five modes of Being are all impossible [Gorgias, by Diog. Laertius]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
Idealism is the link between reason and freedom [Pinkard]
19. Language / F. Communication / 1. Rhetoric
Gorgias says rhetoric is the best of arts, because it enslaves without using force [Gorgias, by Plato]
Destroy seriousness with laughter, and laughter with seriousness [Gorgias]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]