29 ideas
| 19125 | If we define truth, we can eliminate it [Halbach/Leigh] |
| 19128 | If a language cannot name all objects, then satisfaction must be used, instead of unary truth [Halbach/Leigh] |
| 19120 | Semantic theories need a powerful metalanguage, typically including set theory [Halbach/Leigh] |
| 19127 | The T-sentences are deductively weak, and also not deductively conservative [Halbach/Leigh] |
| 19124 | A natural theory of truth plays the role of reflection principles, establishing arithmetic's soundness [Halbach/Leigh] |
| 19126 | If deflationary truth is not explanatory, truth axioms should be 'conservative', proving nothing new [Halbach/Leigh] |
| 19129 | The FS axioms use classical logical, but are not fully consistent [Halbach/Leigh] |
| 19130 | KF is formulated in classical logic, but describes non-classical truth, which allows truth-value gluts [Halbach/Leigh] |
| 18933 | Not-Being obviously doesn't exist, and the five modes of Being are all impossible [Gorgias, by Diog. Laertius] |
| 19121 | We can reduce properties to true formulas [Halbach/Leigh] |
| 19122 | Nominalists can reduce theories of properties or sets to harmless axiomatic truth theories [Halbach/Leigh] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 9866 | Gorgias says rhetoric is the best of arts, because it enslaves without using force [Gorgias, by Plato] |
| 5864 | Destroy seriousness with laughter, and laughter with seriousness [Gorgias] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |