31 ideas
| 23367 | Even pointing a finger should only be done for a reason [Epictetus] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 17000 | We might fix identities for small particulars, but it is utopian to hope for such things [Kripke] |
| 11868 | A different piece of wood could have been used for that table; constitution isn't identity [Wiggins on Kripke] |
| 17044 | A relation can clearly be reflexive, and identity is the smallest reflexive relation [Kripke] |
| 16999 | A vague identity may seem intransitive, and we might want to talk of 'counterparts' [Kripke] |
| 17058 | What many people consider merely physically necessary I consider completely necessary [Kripke] |
| 4970 | What is often held to be mere physical necessity is actually metaphysical necessity [Kripke] |
| 17059 | Unicorns are vague, so no actual or possible creature could count as a unicorn [Kripke] |
| 4950 | Possible worlds are useful in set theory, but can be very misleading elsewhere [Kripke] |
| 17003 | Kaplan's 'Dthat' is a useful operator for transforming a description into a rigid designation [Kripke] |
| 9221 | The best known objection to counterparts is Kripke's, that Humphrey doesn't care if his counterpart wins [Kripke, by Sider] |
| 17052 | The a priori analytic truths involving fixing of reference are contingent [Kripke] |
| 4969 | I regard the mind-body problem as wide open, and extremely confusing [Kripke] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 4956 | A description may fix a reference even when it is not true of its object [Kripke] |
| 17032 | Even if Gödel didn't produce his theorems, he's still called 'Gödel' [Kripke] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |