52 ideas
| 8187 | Frege was strongly in favour of taking truth to attach to propositions [Frege, by Dummett] |
| 18772 | We can treat designation by a few words as a proper name [Frege] |
| 10424 | A Fregean proper name has a sense determining an object, instead of a concept [Frege, by Sainsbury] |
| 18773 | People may have different senses for 'Aristotle', like 'pupil of Plato' or 'teacher of Alexander' [Frege] |
| 14075 | Proper name in modal contexts refer obliquely, to their usual sense [Frege, by Gibbard] |
| 4978 | The meaning of a proper name is the designated object [Frege] |
| 10510 | Frege ascribes reference to incomplete expressions, as well as to singular terms [Frege, by Hale] |
| 18937 | If sentences have a 'sense', empty name sentences can be understood that way [Frege, by Sawyer] |
| 18940 | It is a weakness of natural languages to contain non-denoting names [Frege] |
| 18939 | In a logically perfect language every well-formed proper name designates an object [Frege] |
| 9462 | Frege is intensionalist about reference, as it is determined by sense; identity of objects comes first [Frege, by Jacquette] |
| 18936 | Frege moved from extensional to intensional semantics when he added the idea of 'sense' [Frege, by Sawyer] |
| 10533 | We can't get a semantics from nouns and predicates referring to the same thing [Frege, by Dummett] |
| 4893 | Frege was asking how identities could be informative [Frege, by Perry] |
| 18752 | 'The concept "horse"' denotes a concept, yet seems also to denote an object [Frege, by McGee] |
| 22318 | Frege failed to show when two sets of truth-conditions are equivalent [Frege, by Potter] |
| 4980 | The meaning (reference) of a sentence is its truth value - the circumstance of it being true or false [Frege] |
| 9180 | Holism says all language use is also a change in the rules of language [Frege, by Dummett] |
| 4981 | The reference of a word should be understood as part of the reference of the sentence [Frege] |
| 15597 | Frege's Puzzle: from different semantics we infer different reference for two names with the same reference [Frege, by Fine,K] |
| 17002 | Frege's 'sense' is ambiguous, between the meaning of a designator, and how it fixes reference [Kripke on Frege] |
| 18778 | Every descriptive name has a sense, but may not have a reference [Frege] |
| 7805 | Frege started as anti-realist, but the sense/reference distinction led him to realism [Frege, by Benardete,JA] |
| 4976 | The meaning (reference) of 'evening star' is the same as that of 'morning star', but not the sense [Frege] |
| 4977 | In maths, there are phrases with a clear sense, but no actual reference [Frege] |
| 4979 | We are driven from sense to reference by our desire for truth [Frege] |
| 15155 | Expressions always give ways of thinking of referents, rather than the referents themselves [Frege, by Soames] |
| 11126 | 'Sense' gives meaning to non-referring names, and to two expressions for one referent [Frege, by Margolis/Laurence] |
| 8164 | Frege was the first to construct a plausible theory of meaning [Frege, by Dummett] |
| 9817 | Earlier Frege focuses on content itself; later he became interested in understanding content [Frege, by Dummett] |
| 8171 | Frege divided the meaning of a sentence into sense, force and tone [Frege, by Dummett] |
| 4954 | Frege uses 'sense' to mean both a designator's meaning, and the way its reference is determined [Kripke on Frege] |
| 7304 | Frege explained meaning as sense, semantic value, reference, force and tone [Frege, by Miller,A] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |