Combining Texts

All the ideas for 'fragments/reports', 'Contingent Identity' and 'A Powers Theory of Modality'

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28 ideas

3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs]
8. Modes of Existence / A. Relations / 3. Structural Relations
If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs]
8. Modes of Existence / C. Powers and Dispositions / 1. Powers
Science aims at identifying the structure and nature of the powers that exist [Jacobs]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
Powers come from concrete particulars, not from the laws of nature [Jacobs]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard]
A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard]
Clay and statue are two objects, which can be named and reasoned about [Gibbard]
We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism for concreta is false, since they can come apart under two concepts [Gibbard]
9. Objects / E. Objects over Time / 12. Origin as Essential
A particular statue has sortal persistence conditions, so its origin defines it [Gibbard]
9. Objects / F. Identity among Objects / 6. Identity between Objects
Claims on contingent identity seem to violate Leibniz's Law [Gibbard]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Two identical things must share properties - including creation and destruction times [Gibbard]
Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard]
10. Modality / A. Necessity / 10. Impossibility
Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs]
10. Modality / B. Possibility / 1. Possibility
States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs]
10. Modality / B. Possibility / 9. Counterfactuals
Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Possible worlds are just not suitable truthmakers for modality [Jacobs]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
All modality is in the properties and relations of the actual world [Jacobs]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs]
10. Modality / E. Possible worlds / 1. Possible Worlds / c. Possible worlds realism
Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs]
Possible worlds semantics gives little insight into modality [Jacobs]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Possible worlds identity needs a sortal [Gibbard]
Only concepts, not individuals, can be the same across possible worlds [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
Naming a thing in the actual world also invokes some persistence criteria [Gibbard]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]