Combining Texts

All the ideas for 'fragments/reports', 'Languages of Art (2nd edn)' and 'Supervenience'

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14 ideas

7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience: No A-difference without a B-difference [Bennett,K]
Supervenience is non-symmetric - sometimes it's symmetric, and sometimes it's one-way [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / b. Types of supervenience
Weak supervenience is in one world, strong supervenience in all possible worlds [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
Aesthetics, morality and mind supervene on the physical? Modal on non-modal? General on particular? [Bennett,K]
Some entailments do not involve supervenience, as when brotherhood entails siblinghood [Bennett,K]
Reduction requires supervenience, but does supervenience suffice for reduction? [Bennett,K]
7. Existence / D. Theories of Reality / 6. Physicalism
Definitions of physicalism are compatible with a necessary God [Bennett,K]
9. Objects / E. Objects over Time / 8. Continuity of Rivers
Cratylus said you couldn't even step into the same river once [Cratylus, by Aristotle]
10. Modality / A. Necessity / 6. Logical Necessity
The metaphysically and logically possible worlds are the same, so they are the same strength [Bennett,K]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Cratylus decided speech was hopeless, and his only expression was the movement of a finger [Cratylus, by Aristotle]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
21. Aesthetics / B. Nature of Art / 5. Art as Language
Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
A performance is only an instance of a work if there is not a single error [Goodman]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]