Combining Texts

All the ideas for 'fragments/reports', 'Reference and Definite Descriptions' and 'An Essay in Aesthetics'

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22 ideas

2. Reason / C. Styles of Reason / 1. Dialectic
Like spiderswebs, dialectical arguments are clever but useless [Ariston, by Diog. Laertius]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / a. Descriptions
Russell only uses descriptions attributively, and Strawson only referentially [Donnellan, by Lycan]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / b. Definite descriptions
A definite description can have a non-referential use [Donnellan]
Definite descriptions are 'attributive' if they say something about x, and 'referential' if they pick x out [Donnellan]
'The x is F' only presumes that x exists; it does not actually entail the existence [Donnellan]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
A definite description 'the F' is referential if the speaker could thereby be referring to something not-F [Donnellan, by Sainsbury]
Donnellan is unclear whether the referential-attributive distinction is semantic or pragmatic [Bach on Donnellan]
A description can successfully refer, even if its application to the subject is not believed [Donnellan]
19. Language / B. Reference / 5. Speaker's Reference
Whether a definite description is referential or attributive depends on the speaker's intention [Donnellan]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / f. The Mean
The chief good is indifference to what lies midway between virtue and vice [Ariston, by Diog. Laertius]
23. Ethics / D. Deontological Ethics / 1. Deontology
Ariston says rules are useless for the virtuous and the non-virtuous [Ariston, by Annas]