33 ideas
| 20768 | Like spiderswebs, dialectical arguments are clever but useless [Ariston, by Diog. Laertius] |
| 15924 | Predicative definitions are acceptable in mathematics if they distinguish objects, rather than creating them? [Zermelo, by Lavine] |
| 17608 | We take set theory as given, and retain everything valuable, while avoiding contradictions [Zermelo] |
| 17607 | Set theory investigates number, order and function, showing logical foundations for mathematics [Zermelo] |
| 10870 | ZFC: Existence, Extension, Specification, Pairing, Unions, Powers, Infinity, Choice [Zermelo, by Clegg] |
| 13012 | Zermelo published his axioms in 1908, to secure a controversial proof [Zermelo, by Maddy] |
| 17609 | Set theory can be reduced to a few definitions and seven independent axioms [Zermelo] |
| 13017 | Zermelo introduced Pairing in 1930, and it seems fairly obvious [Zermelo, by Maddy] |
| 13015 | Zermelo used Foundation to block paradox, but then decided that only Separation was needed [Zermelo, by Maddy] |
| 13486 | Not every predicate has an extension, but Separation picks the members that satisfy a predicate [Zermelo, by Hart,WD] |
| 13020 | The Axiom of Separation requires set generation up to one step back from contradiction [Zermelo, by Maddy] |
| 13487 | In ZF, the Burali-Forti Paradox proves that there is no set of all ordinals [Zermelo, by Hart,WD] |
| 18178 | For Zermelo the successor of n is {n} (rather than n U {n}) [Zermelo, by Maddy] |
| 13027 | Zermelo believed, and Von Neumann seemed to confirm, that numbers are sets [Zermelo, by Maddy] |
| 9627 | Different versions of set theory result in different underlying structures for numbers [Zermelo, by Brown,JR] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 3049 | The chief good is indifference to what lies midway between virtue and vice [Ariston, by Diog. Laertius] |
| 3549 | Ariston says rules are useless for the virtuous and the non-virtuous [Ariston, by Annas] |