Combining Texts

All the ideas for 'fragments/reports', 'Art' and 'Ontological Relativity'

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28 ideas

2. Reason / C. Styles of Reason / 1. Dialectic
Like spiderswebs, dialectical arguments are clever but useless [Ariston, by Diog. Laertius]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
If quantification is all substitutional, there is no ontology [Quine]
7. Existence / A. Nature of Existence / 6. Criterion for Existence
Absolute ontological questions are meaningless, because the answers are circular definitions [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / d. Commitment of theories
Ontology is relative to both a background theory and a translation manual [Quine]
9. Objects / F. Identity among Objects / 1. Concept of Identity
We know what things are by distinguishing them, so identity is part of ontology [Quine]
13. Knowledge Criteria / E. Relativism / 5. Language Relativism
Two things are relative - the background theory, and translating the object theory into the background theory [Quine]
19. Language / B. Reference / 1. Reference theories
Reference is inscrutable, because we cannot choose between theories of numbers [Quine, by Orenstein]
19. Language / F. Communication / 6. Interpreting Language / b. Indeterminate translation
Indeterminacy translating 'rabbit' depends on translating individuation terms [Quine]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / f. The Mean
The chief good is indifference to what lies midway between virtue and vice [Ariston, by Diog. Laertius]
23. Ethics / D. Deontological Ethics / 1. Deontology
Ariston says rules are useless for the virtuous and the non-virtuous [Ariston, by Annas]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]