Combining Texts

All the ideas for 'fragments/reports', 'Art' and 'Vagueness and Contradiction'

expand these ideas     |    start again     |     specify just one area for these texts


40 ideas

1. Philosophy / F. Analytic Philosophy / 7. Limitations of Analysis
The paradox of analysis says that any conceptual analysis must be either trivial or false [Sorensen]
2. Reason / B. Laws of Thought / 1. Laws of Thought
Two long understandable sentences can have an unintelligible conjunction [Sorensen]
3. Truth / B. Truthmakers / 6. Making Negative Truths
If nothing exists, no truthmakers could make 'Nothing exists' true [Sorensen]
3. Truth / B. Truthmakers / 12. Rejecting Truthmakers
Which toothbrush is the truthmaker for 'buy one, get one free'? [Sorensen]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
No attempt to deny bivalence has ever been accepted [Sorensen]
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
We now see that generalizations use variables rather than abstract entities [Sorensen]
5. Theory of Logic / L. Paradox / 3. Antinomies
Denying problems, or being romantically defeated by them, won't make them go away [Sorensen]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
Banning self-reference would outlaw 'This very sentence is in English' [Sorensen]
7. Existence / D. Theories of Reality / 10. Vagueness / c. Vagueness as ignorance
Vague words have hidden boundaries [Sorensen]
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
An offer of 'free coffee or juice' could slowly shift from exclusive 'or' to inclusive 'or' [Sorensen]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
It is propositional attitudes which can be a priori, not the propositions themselves [Sorensen]
Attributing apriority to a proposition is attributing a cognitive ability to someone [Sorensen]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
The colour bands of the spectrum arise from our biology; they do not exist in the physics [Sorensen]
12. Knowledge Sources / B. Perception / 5. Interpretation
We are unable to perceive a nose (on the back of a mask) as concave [Sorensen]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
Bayesians build near-certainty from lots of reasonably probable beliefs [Sorensen]
13. Knowledge Criteria / D. Scepticism / 3. Illusion Scepticism
Illusions are not a reason for skepticism, but a source of interesting scientific information [Sorensen]
19. Language / A. Nature of Meaning / 5. Meaning as Verification
The negation of a meaningful sentence must itself be meaningful [Sorensen]
19. Language / D. Propositions / 4. Mental Propositions
Propositions are what settle problems of ambiguity in sentences [Sorensen]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / A. Freedoms / 4. Free market
I can buy any litre of water, but not every litre of water [Sorensen]
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]
28. God / A. Divine Nature / 4. Divine Contradictions
God cannot experience unwanted pain, so God cannot understand human beings [Sorensen]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]