35 ideas
| 3600 | Slow and accurate thought makes the greatest progress [Descartes] |
| Full Idea: Those who go forward only very slowly can progress much further if they always keep to the right path, than those who run and wander off it. | |
| From: René Descartes (A Discourse on Method [1637], §1.2) | |
| A reaction: Like Descartes' 'Method'. This seems to place a low value on 'nous' or intuition. |
| 3601 | Most things in human life seem vain and useless [Descartes] |
| Full Idea: Looking at the various activities and enterprises of mankind with the eye of a philosopher, there is hardly one which does not seem to me vain and useless. | |
| From: René Descartes (A Discourse on Method [1637], §1.3) | |
| A reaction: Well, yes. The obvious retort is that everything is vain and useless; or if not, then certainly metaphysics is. Useful for what? Is ornamental gardening useless, or sport? Art? What is the use of cosmology? He's right, of course. |
| 3602 | Almost every daft idea has been expressed by some philosopher [Descartes] |
| Full Idea: There is nothing one can imagine so strange or so unbelievable that has not been said by one or other of the philosophers. | |
| From: René Descartes (A Discourse on Method [1637], §2.16) | |
| A reaction: Actually I think that extensive areas of logical possibilities for existence remain totally unexplored. On the other hand, most of the metaphysical beliefs of most of the human race, including the majority of philosophers, strike me as being false. |
| 3603 | Methodical thinking is cautious, analytical, systematic, and panoramic [Descartes, by PG] |
| Full Idea: Descartes' four principles for his method of thinking are: be cautious, analyse the problem, be systematic from simple to complex, and keep an overview of the problem | |
| From: report of René Descartes (A Discourse on Method [1637], §2.18) by PG - Db (ideas) |
| 3612 | Clear and distinct conceptions are true because a perfect God exists [Descartes] |
| Full Idea: That the things we grasp very clearly and very distinctly are all true, is assured only because God is or exists, and because he is a perfect Being. | |
| From: René Descartes (A Discourse on Method [1637], §4.38) |
| 3610 | Truth is clear and distinct conception - of which it is hard to be sure [Descartes] |
| Full Idea: I take it as a general rule that the things we conceive very clearly and very distinctly are all true, but that there is merely some difficulty in properly discerning which are those which we distinctly conceive. | |
| From: René Descartes (A Discourse on Method [1637], §4.33) |
| 3605 | We can believe a thing without knowing we believe it [Descartes] |
| Full Idea: The action of thought by which one believes a thing, being different from that by which one knows that one believes it, they often exist the one without the other. | |
| From: René Descartes (A Discourse on Method [1637], §3.23) |
| 1583 | In morals Descartes accepts the conventional, but rejects it in epistemology [Roochnik on Descartes] |
| Full Idea: Descartes' procedure for treating values (accepting normal conventions when faced with uncertainty) is the exact antithesis of that used to attain knowledge. | |
| From: comment on René Descartes (A Discourse on Method [1637], §3.23) by David Roochnik - The Tragedy of Reason p.73 |
| 3607 | In thinking everything else false, my own existence remains totally certain [Descartes] |
| Full Idea: While I decided to think that everything was false, it followed necessarily that I who thought thus must be something; the truth 'I think therefore I am' was so certain that the most extravagant scepticism could never shake it. | |
| From: René Descartes (A Discourse on Method [1637], §4.32) |
| 3617 | I aim to find the principles and causes of everything, using the seeds within my mind [Descartes] |
| Full Idea: I have tried to find in general the principles or first causes of everything which is or which may be in the world, ..without taking them from any other source than from certain seeds of truth which are naturally in our minds. | |
| From: René Descartes (A Discourse on Method [1637], §6.64) |
| 3611 | Understanding, rather than imagination or senses, gives knowledge [Descartes] |
| Full Idea: Neither our imagination nor our senses could ever assure us of anything, if our understanding did not intervene. | |
| From: René Descartes (A Discourse on Method [1637], §4.37) |
| 3606 | I was searching for reliable rock under the shifting sand [Descartes] |
| Full Idea: My whole plan had for its aim simply to give me assurance, and the rejection of shifting ground and sand in order to find rock or clay. | |
| From: René Descartes (A Discourse on Method [1637], §3.29) | |
| A reaction: I take this to be characteristic of an age when religion is being quietly rocked by the revival of ancient scepticism. If he'd settled for fallibilism, our civilization would have gone differently. |
| 3604 | When rebuilding a house, one needs alternative lodgings [Descartes] |
| Full Idea: Before beginning to rebuild the house in which one lives…. one must also provide oneself with some other accommodation in which to be lodge conveniently while the work is going on. | |
| From: René Descartes (A Discourse on Method [1637], §3.22) |
| 3618 | Only experiments can settle disagreements between rival explanations [Descartes] |
| Full Idea: I observe almost no individual effect without immediately knowing that it can be deduced in many different ways, ..and I know of no way to resolve this but by experiments such that the results are different according to different explanations. | |
| From: René Descartes (A Discourse on Method [1637], §6.65) |
| 3615 | Little reason is needed to speak, so animals have no reason at all [Descartes] |
| Full Idea: Animals not only have less reason than men, but they have none at all; for we see that very little of it is required in order to be able to speak. | |
| From: René Descartes (A Discourse on Method [1637], §5.58) |
| 3609 | I am a thinking substance, which doesn't need a place or material support [Descartes] |
| Full Idea: I concluded that I was a substance, of which the whole essence or nature consists in thinking, and which, in order to exist, needs no place and depends on no material thing. | |
| From: René Descartes (A Discourse on Method [1637], §4.33) | |
| A reaction: To me that sounds like "I concluded that I wasn't a human being", which highlights the bizarre wishful thinking that seems to have gripped the human race for the first few thousand years of its serious thinking. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 3608 | I can deny my body and the world, but not my own existence [Descartes] |
| Full Idea: I could pretend that I had no body, and that there was no world or place that I was in, but I could not, for all that, pretend that I did not exist. | |
| From: René Descartes (A Discourse on Method [1637], §4.32) | |
| A reaction: He makes the (in my opinion) appalling blunder of thinking that because he can pretend that he has no body, that therefore he might not have one. I can pretend that gold is an unusual form of cheese. However, "I don't exist" certainly sounds wrong. |
| 3613 | Reason is universal in its responses, but a physical machine is constrained by its organs [Descartes] |
| Full Idea: Whereas reason is a universal instrument which can serve on any kind of occasion, the organs of a machine need a disposition for each action; so it is impossible to have enough different organs in a machine to respond to all the occurrences of life. | |
| From: René Descartes (A Discourse on Method [1637], §5.57) | |
| A reaction: How can Descartes know that reason is 'universal' rather than just 'very extensive'? Is there any information which cannot be encoded in a computer? It doesn't feel as if there any intrinsic restrictions to reason, but note Idea 4688. |
| 3616 | The soul must unite with the body to have appetites and sensations [Descartes] |
| Full Idea: It is not sufficient that the reasonable soul should be lodged in the body like a pilot in a ship, unless perhaps to move its limbs, but it needs to be united more closely with the body in order to have sensations and appetites, and so be a true man. | |
| From: René Descartes (A Discourse on Method [1637], §5.59) | |
| A reaction: The idea that the pineal gland is the link suggests that Descartes has the 'pilot' view, but this idea shows that he believes in very close and complex interaction between mind and body. But how can a mind 'have' appetites if it has no physical needs? |
| 3614 | A machine could speak in response to physical stimulus, but not hold a conversation [Descartes] |
| Full Idea: One may conceive of a machine made so as to emit words, and even emit them in response to a change in its bodily organs, such as being touched, but not to reply to the sense of everything said in its presence, as the most unintelligent men can. | |
| From: René Descartes (A Discourse on Method [1637], §5.56) | |
| A reaction: A critique of the Turing Test, written in 1637! You have to admire. Because of the advent of the microprocessor, we can 'conceive' more sophisticated, multi-level machines than Descartes could come up with. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 1581 | Greeks elevate virtues enormously, but never explain them [Descartes] |
| Full Idea: The ancient pagans place virtues on a high plateau and make them appear the most valuable thing in the world, but they do not sufficiently instruct us about how to know them. | |
| From: René Descartes (A Discourse on Method [1637], §1.8) |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 16686 | God has established laws throughout nature, and implanted ideas of them within us [Descartes] |
| Full Idea: I have noticed certain laws that God has so established in nature, and of which he has implanted such notions in our souls, that …we cannot doubt that they are exactly observed in everything that exists or occurs in the world. | |
| From: René Descartes (A Discourse on Method [1637], pt 5), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 15.5 | |
| A reaction: This is the view of laws which still seems to be with us (and needs extirpating) - that some outside agency imposes them on nature. I suspect that even Richard Feynman thought of laws like that, because he despised philosophy, and was thus naïve. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |