14 ideas
| 17325 | Truth-maker theory can't cope with non-causal dependence [Liggins] |
| Full Idea: My charge is that truth-maker theory cannot be integrated into an attractive general account of non-causal dependence. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.6) | |
| A reaction: [You'll have to read Liggins to see why] |
| 17318 | Truthmakers for existence is fine; otherwise maybe restrict it to synthetic truths? [Liggins] |
| Full Idea: Many philosophers agree that true existential propositions have a truth-maker, but some go further, claiming that every true proposition has a truth-maker. More cautious theorists specify a class of truths, such as synthetic propositions. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.1) | |
| A reaction: [compressed; Armstrong is the ambitious one, and Rodriguez-Pereyra proposes the synthetic propositions] Presumably synthetic propositions can make negative assertions, which are problematic for truth-makers. |
| 17320 | Either p is true or not-p is true, so something is true, so something exists [Liggins] |
| Full Idea: Either p or not-p. If p, then the proposition 'p' is true. If not p, then the proposition 'not p' is true. Either way, something is true. Thus something exists. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.3 n5) | |
| A reaction: Liggins offers this dodgy argument as an objection to conceptual truths having truth-makers. |
| 17326 | The dependence of {Socrates} on Socrates involves a set and a philosopher, not facts [Liggins] |
| Full Idea: The dependence of {Socrates} on Socrates appears to involve a set and a philosopher, neither of which is a fact. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.6) | |
| A reaction: He points out that defenders of facts as the basis of dependence could find a suitable factual paraphrase here. Socrates is just Socrates, but the singleton has to be understood in a particular way to generate the dependence. |
| 17327 | Non-causal dependence is at present only dimly understood [Liggins] |
| Full Idea: Non-causal dependence is at present only dimly understood. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.8) | |
| A reaction: Not very helpful, you may be thinking, but it is always helpful to know where we have got to in the enquiry. |
| 17322 | Necessities supervene on everything, but don't depend on everything [Liggins] |
| Full Idea: Necessities supervene upon everything, but they do not depend on everything. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.4) | |
| A reaction: I'm not sure if merely existing together counts as sufficiently close to be 'supervenience'. If 2+2 necessitates 4, that hardly seems to 'supervene' on the Eiffel Tower. If so, how close must things be to qualify for supervenience? |
| 17324 | 'Because' can signal an inference rather than an explanation [Liggins] |
| Full Idea: 'Because' can signal an inference rather than an explanation. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.5) | |
| A reaction: Aristotle starts from words like 'why?', but it can be a deceptive approach to explanation. |
| 17321 | Value, constitution and realisation are non-causal dependences that explain [Liggins] |
| Full Idea: 'It is wrong because it produces pain for fun', and 'these constitute a table because they are arranged tablewise', and 'tea is poisonous because it contains arsenic' are clearly non-causal uses of 'because', and neither are they conceptual. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.4) | |
| A reaction: The general line seems to be that any form of determination will underwrite an explanation. He talks later of the 'wrongmaker' and 'poisonmaker' relationships to add to the 'truthmaker'. The table example is the 'object-maker' dependence relation. |
| 17323 | If explanations track dependence, then 'determinative' explanations seem to exist [Liggins] |
| Full Idea: If explanation often tracks dependence, then we have a theoretical reason to expect such explanations to exist. Let us call such explanations 'determinative'. | |
| From: David Liggins (Truth-makers and dependence [2012], 10.4) | |
| A reaction: There seems to be an emerging understanding that this 'determination' relation is central to all of explanation - with causal explanations, for example, being a particular instance of it. I like it. These are real, not conventional, explanations. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |