Combining Texts

All the ideas for 'fragments/reports', 'Ecce Homo' and 'Languages of Art (2nd edn)'

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14 ideas

1. Philosophy / D. Nature of Philosophy / 1. Philosophy
A warlike philosopher challenges problems to single combat [Nietzsche]
     Full Idea: A warlike philosopher challenges problems to single combat.
     From: Friedrich Nietzsche (Ecce Homo [1889], Wise §7)
     A reaction: And what do pacifist philosophers do? It is a moot point whether philosophy is even possible without a streak of aggression. Otherwise you circle the problem, but don't confront it.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
     Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
     Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations.
     From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
A performance is only an instance of a work if there is not a single error [Goodman]
     Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics)
     A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal.
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]
     Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2
     A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters.
22. Metaethics / B. Value / 2. Values / i. Self-interest
The distinction between egoistic and non-egoistic acts is absurd [Nietzsche]
     Full Idea: There are neither egoistic nor unegoistic actions: both concepts are psychologically nonsense.
     From: Friedrich Nietzsche (Ecce Homo [1889], 4.5)
     A reaction: Not quite true, but I like this observation. The idea that you could divide everyone's actions into these two groups is certainly nonsense. But some people are more altruistic than others!
22. Metaethics / C. The Good / 1. Goodness / i. Moral luck
A bad result distorts one's judgement about the virtue of what one has done [Nietzsche]
     Full Idea: I should prefer to exclude the bad result, the consequences, from the question of value as a matter of principle. Faced with a bad result, one loses all too easily the right perspective for what one has done.
     From: Friedrich Nietzsche (Ecce Homo [1889], Clever §1)
     A reaction: If the perspective is easily lost, we should make more effort, not ignore consequences. The question is whether you could have foreseen or controlled the consequences.
23. Ethics / C. Virtue Theory / 3. Virtues / f. Compassion
The overcoming of pity I count among the noble virtues [Nietzsche]
     Full Idea: The overcoming of pity I count among the noble virtues.
     From: Friedrich Nietzsche (Ecce Homo [1889], Wise §4)
     A reaction: Hm. I can just about see that there might be more important things than compassion for suffering, but I can't see any human activity that makes it worthwhile to trample on pity.
23. Ethics / F. Existentialism / 6. Authentic Self
To become what you are you must have no self-awareness [Nietzsche]
     Full Idea: To become what one is, one must not have the faintest notion of what one is.
     From: Friedrich Nietzsche (Ecce Homo [1889], II.9), quoted by Brian Leiter - Nietzsche On Morality 3 'fatalism'
     A reaction: [Don't understand 'II.9'] Enigmatic but striking. As I understand it, Nietzsche thought that knowing what you are is virtually impossible, though he spent a lifetime studying himself. Would you recognise someone who had become what they are?
23. Ethics / F. Existentialism / 8. Eternal Recurrence
Eternal recurrence is the highest attainable affirmation [Nietzsche]
     Full Idea: Eternal recurrence is the highest formula of affirmation that is at all attainable.
     From: Friedrich Nietzsche (Ecce Homo [1889], III.Z-1?), quoted by Brian Leiter - Nietzsche On Morality
     A reaction: Did Nietzsche have in mind an even higher formulation that was unattainable? The aim of eternal recurrence is to offer the highest possible ideal that remains rooted in the nature of ordinary life. It is a cut-down version of the Form of the Good.
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
     Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes.
     From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078
     A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book.
25. Social Practice / E. Policies / 5. Education / c. Teaching
One repays a teacher badly if one remains only a pupil [Nietzsche]
     Full Idea: One repays a teacher badly if one remains only a pupil.
     From: Friedrich Nietzsche (Ecce Homo [1889], Fore)
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
     Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness.
     From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42
     A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them.
28. God / C. Attitudes to God / 5. Atheism
I am not an atheist because of reasoning or evidence, but because of instinct [Nietzsche]
     Full Idea: I have absolutely no knowledge of atheism as an outcome of reasoning, still less an event: with me it is obvious by instinct.
     From: Friedrich Nietzsche (Ecce Homo [1889], 3.1)