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All the ideas for 'Parmenides', 'Lectures on Aesthetics' and 'Structuralism and the Notion of Dependence'

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54 ideas

2. Reason / A. Nature of Reason / 1. On Reason
When questions are doubtful we should concentrate not on objects but on ideas of the intellect [Plato]
     Full Idea: Doubtful questions should not be discussed in terms of visible objects or in relation to them, but only with reference to ideas conceived by the intellect.
     From: Plato (Parmenides [c.364 BCE], 135e)
2. Reason / B. Laws of Thought / 5. Opposites
Opposites are as unlike as possible [Plato]
     Full Idea: Opposites are as unlike as possible.
     From: Plato (Parmenides [c.364 BCE], 159a)
2. Reason / C. Styles of Reason / 1. Dialectic
Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic [Hegel on Plato]
     Full Idea: Plato's 'Parmenides' is the greatest artistic achievement of the ancient dialectic.
     From: comment on Plato (Parmenides [c.364 BCE]) by Georg W.F.Hegel - Phenomenology of Spirit Pref 71
     A reaction: It is a long way from the analytic tradition of philosophy to be singling out a classic text for its 'artistic' achievement. Eventually we may even look back on, say, Kripke's 'Naming and Necessity' and see it in that light.
3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
     Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art'
     A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'.
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
     Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy'
     A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us.
5. Theory of Logic / L. Paradox / 3. Antinomies
Plato found antinomies in ideas, Kant in space and time, and Bradley in relations [Plato, by Ryle]
     Full Idea: Plato (in 'Parmenides') shows that the theory that 'Eide' are substances, and Kant that space and time are substances, and Bradley that relations are substances, all lead to aninomies.
     From: report of Plato (Parmenides [c.364 BCE]) by Gilbert Ryle - Are there propositions? 'Objections'
Plato's 'Parmenides' is perhaps the best collection of antinomies ever made [Russell on Plato]
     Full Idea: Plato's 'Parmenides' is perhaps the best collection of antinomies ever made.
     From: comment on Plato (Parmenides [c.364 BCE]) by Bertrand Russell - The Principles of Mathematics §337
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / b. Varieties of structuralism
'Deductivist' structuralism is just theories, with no commitment to objects, or modality [Linnebo]
     Full Idea: The 'deductivist' version of eliminativist structuralism avoids ontological commitments to mathematical objects, and to modal vocabulary. Mathematics is formulations of various (mostly categorical) theories to describe kinds of concrete structures.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], 1)
     A reaction: 'Concrete' is ambiguous here, as mathematicians use it for the actual working maths, as opposed to the metamathematics. Presumably the structures are postulated rather than described. He cites Russell 1903 and Putnam. It is nominalist.
Non-eliminative structuralism treats mathematical objects as positions in real abstract structures [Linnebo]
     Full Idea: The 'non-eliminative' version of mathematical structuralism takes it to be a fundamental insight that mathematical objects are really just positions in abstract mathematical structures.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], I)
     A reaction: The point here is that it is non-eliminativist because it is committed to the existence of mathematical structures. I oppose this view, since once you are committed to the structures, you may as well admit a vast implausible menagerie of abstracta.
'Modal' structuralism studies all possible concrete models for various mathematical theories [Linnebo]
     Full Idea: The 'modal' version of eliminativist structuralism lifts the deductivist ban on modal notions. It studies what necessarily holds in all concrete models which are possible for various theories.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], I)
     A reaction: [He cites Putnam 1967, and Hellman 1989] If mathematical truths are held to be necessary (which seems to be right), then it seems reasonable to include modal notions, about what is possible, in its study.
'Set-theoretic' structuralism treats mathematics as various structures realised among the sets [Linnebo]
     Full Idea: 'Set-theoretic' structuralism rejects deductive nominalism in favour of a background theory of sets, and mathematics as the various structures realized among the sets. This is often what mathematicians have in mind when they talk about structuralism.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], I)
     A reaction: This is the big shift from 'mathematics can largely be described in set theory' to 'mathematics just is set theory'. If it just is set theory, then which version of set theory? Which axioms? The safe iterative conception, or something bolder?
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / d. Platonist structuralism
Structuralism differs from traditional Platonism, because the objects depend ontologically on their structure [Linnebo]
     Full Idea: Structuralism can be distinguished from traditional Platonism in that it denies that mathematical objects from the same structure are ontologically independent of one another
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], III)
     A reaction: My instincts strongly cry out against all versions of this. If you are going to be a platonist (rather as if you are going to be religious) you might as well go for it big time and have independent objects, which will then dictate a structure.
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / e. Structuralism critique
Structuralism is right about algebra, but wrong about sets [Linnebo]
     Full Idea: Against extreme views that all mathematical objects depend on the structures to which they belong, or that none do, I defend a compromise view, that structuralists are right about algebraic objects (roughly), but anti-structuralists are right about sets.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], Intro)
In mathematical structuralism the small depends on the large, which is the opposite of physical structures [Linnebo]
     Full Idea: If objects depend on the other objects, this would mean an 'upward' dependence, in that they depend on the structure to which they belong, where the physical realm has a 'downward' dependence, with structures depending on their constituents.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], III)
     A reaction: This nicely captures an intuition I have that there is something wrong with a commitment primarily to 'structures'. Our only conception of such things is as built up out of components. Not that I am committing to mathematical 'components'!
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / a. For mathematical platonism
One is, so numbers exist, so endless numbers exist, and each one must partake of being [Plato]
     Full Idea: If one is, there must also necessarily be number - Necessarily - But if there is number, there would be many, and an unlimited multitude of beings. ..So if all partakes of being, each part of number would also partake of it.
     From: Plato (Parmenides [c.364 BCE], 144a)
     A reaction: This seems to commit to numbers having being, then to too many numbers, and hence to too much being - but without backing down and wondering whether numbers had being after all. Aristotle disagreed.
7. Existence / A. Nature of Existence / 3. Being / c. Becoming
The one was and is and will be and was becoming and is becoming and will become [Plato]
     Full Idea: The one was and is and will be and was becoming and is becoming and will become.
     From: Plato (Parmenides [c.364 BCE], 155d)
7. Existence / A. Nature of Existence / 3. Being / f. Primary being
Plato's Parmenides has a three-part theory, of Primal One, a One-Many, and a One-and-Many [Plato, by Plotinus]
     Full Idea: The Platonic Parmenides is more exact [than Parmenides himself]; the distinction is made between the Primal One, a strictly pure Unity, and a secondary One which is a One-Many, and a third which is a One-and-Many.
     From: report of Plato (Parmenides [c.364 BCE]) by Plotinus - The Enneads 5.1.08
     A reaction: Plotinus approves of this three-part theory. Parmenides has the problem that the highest Being contains no movement. By placing the One outside Being you can give it powers which an existent thing cannot have. Cf the concept of God.
7. Existence / C. Structure of Existence / 4. Ontological Dependence
There may be a one-way direction of dependence among sets, and among natural numbers [Linnebo]
     Full Idea: We can give an exhaustive account of the identity of the empty set and its singleton without mentioning infinite sets, and it might be possible to defend the view that one natural number depends on its predecessor but not vice versa.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], V)
     A reaction: Linnebo uses this as one argument against mathematical structuralism, where the small seems to depend on the large. The view of sets rests on the iterative conception, where each level is derived from a lower level. He dismisses structuralism of sets.
7. Existence / D. Theories of Reality / 3. Reality
Absolute ideas, such as the Good and the Beautiful, cannot be known by us [Plato]
     Full Idea: The absolute good and the beautiful and all which we conceive to be absolute ideas are unknown to us.
     From: Plato (Parmenides [c.364 BCE], 134c)
8. Modes of Existence / B. Properties / 4. Intrinsic Properties
An 'intrinsic' property is either found in every duplicate, or exists independent of all externals [Linnebo]
     Full Idea: There are two main ways of spelling out an 'intrinsic' property: if and only if it is shared by every duplicate of an object, ...and if and only if the object would have this property even if the rest of the universe were removed or disregarded.
     From: Øystein Linnebo (Structuralism and the Notion of Dependence [2008], II)
     A reaction: [He cites B.Weatherson's Stanford Encyclopaedia article] How about an intrinsic property being one which explains its identity, or behaviour, or persistence conditions?
8. Modes of Existence / D. Universals / 2. Need for Universals
You must always mean the same thing when you utter the same name [Plato]
     Full Idea: You must always mean the same thing when you utter the same name.
     From: Plato (Parmenides [c.364 BCE], 147d)
If you deny that each thing always stays the same, you destroy the possibility of discussion [Plato]
     Full Idea: If a person denies that the idea of each thing is always the same, he will utterly destroy the power of carrying on discussion.
     From: Plato (Parmenides [c.364 BCE], 135c)
8. Modes of Existence / D. Universals / 6. Platonic Forms / a. Platonic Forms
It would be absurd to think there were abstract Forms for vile things like hair, mud and dirt [Plato]
     Full Idea: Are there abstract ideas for such things as hair, mud and dirt, which are particularly vile and worthless? That would be quite absurd.
     From: Plato (Parmenides [c.364 BCE], 130d)
The concept of a master includes the concept of a slave [Plato]
     Full Idea: Mastership in the abstract is mastership of slavery in the abstract.
     From: Plato (Parmenides [c.364 BCE], 133e)
If admirable things have Forms, maybe everything else does as well [Plato]
     Full Idea: It is troubling that if admirable things have abstract ideas, then perhaps everything else must have ideas as well.
     From: Plato (Parmenides [c.364 BCE], 130d)
If absolute ideas existed in us, they would cease to be absolute [Plato]
     Full Idea: None of the absolute ideas exists in us, because then it would no longer be absolute.
     From: Plato (Parmenides [c.364 BCE], 133c)
Greatness and smallness must exist, to be opposed to one another, and come into being in things [Plato]
     Full Idea: These two ideas, greatness and smallness, exist, do they not? For if they did not exist, they could not be opposites of one another, and could not come into being in things.
     From: Plato (Parmenides [c.364 BCE], 149e)
Plato moves from Forms to a theory of genera and principles in his later work [Plato, by Frede,M]
     Full Idea: It seems to me that Plato in the later dialogues, beginning with the second half of 'Parmenides', wants to substitute a theory of genera and theory of principles that constitute these genera for the earlier theory of forms.
     From: report of Plato (Parmenides [c.364 BCE]) by Michael Frede - Title, Unity, Authenticity of the 'Categories' V
     A reaction: My theory is that the later Plato came under the influence of the brilliant young Aristotle, and this idea is a symptom of it. The theory of 'principles' sounds like hylomorphism to me.
8. Modes of Existence / D. Universals / 6. Platonic Forms / b. Partaking
The whole idea of each Form must be found in each thing which participates in it [Plato]
     Full Idea: The whole idea of each form (of beauty, justice etc) must be found in each thing which participates in it.
     From: Plato (Parmenides [c.364 BCE], 131a)
Participation is not by means of similarity, so we are looking for some other method of participation [Plato]
     Full Idea: Participation is not by means of likeness, so we must seek some other method of participation.
     From: Plato (Parmenides [c.364 BCE], 133a)
If things are made alike by participating in something, that thing will be the absolute idea [Plato]
     Full Idea: That by participation in which like things are made like, will be the absolute idea, will it not?
     From: Plato (Parmenides [c.364 BCE], 132e)
Each idea is in all its participants at once, just as daytime is a unity but in many separate places at once [Plato]
     Full Idea: Just as day is in many places at once, but not separated from itself, so each idea might be in all its participants at once.
     From: Plato (Parmenides [c.364 BCE], 131b)
If things partake of ideas, this implies either that everything thinks, or that everything actually is thought [Plato]
     Full Idea: If all things partake of ideas, must either everything be made of thoughts and everything thinks, or everything is thought, and so can't think?
     From: Plato (Parmenides [c.364 BCE], 132c)
8. Modes of Existence / D. Universals / 6. Platonic Forms / c. Self-predication
Nothing can be like an absolute idea, because a third idea intervenes to make them alike (leading to a regress) [Plato]
     Full Idea: It is impossible for anything to be like an absolute idea, because a third idea will appear to make them alike, and if that is like anything, it will lead to another idea, and so on.
     From: Plato (Parmenides [c.364 BCE], 133a)
If absolute greatness and great things are seen as the same, another thing appears which makes them seem great [Plato]
     Full Idea: If you regard the absolute great and the many great things in the same way, will not another appear beyond, by which all these must appear to be great?
     From: Plato (Parmenides [c.364 BCE], 132a)
9. Objects / B. Unity of Objects / 1. Unifying an Object / b. Unifying aggregates
Parts must belong to a created thing with a distinct form [Plato]
     Full Idea: The part would not be the part of many things or all, but of some one character ['ideas'] and of some one thing, which we call a 'whole', since it has come to be one complete [perfected] thing composed [created] of all.
     From: Plato (Parmenides [c.364 BCE], 157d)
     A reaction: A serious shot by Plato at what identity is. Harte quotes it (125) and shows that 'character' is Gk 'idea', and 'composed' will translate as 'created'. 'Form' links this Platonic passage to Aristotle's hylomorphism.
9. Objects / C. Structure of Objects / 5. Composition of an Object
In Parmenides, if composition is identity, a whole is nothing more than its parts [Plato, by Harte,V]
     Full Idea: At the heart of the 'Parmenides' puzzles about composition is the thesis that composition is identity. Considered thus, a whole adds nothing to an ontology that already includes its parts
     From: report of Plato (Parmenides [c.364 BCE]) by Verity Harte - Plato on Parts and Wholes 2.5
     A reaction: There has to be more to a unified identity that mere proximity of the parts. When do parts come together, and when do they actually 'compose' something?
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Plato says only a one has parts, and a many does not [Plato, by Harte,V]
     Full Idea: In 'Parmenides' it is argued that a part cannot be part of a many, but must be part of something one.
     From: report of Plato (Parmenides [c.364 BCE], 157c) by Verity Harte - Plato on Parts and Wholes 3.2
     A reaction: This looks like the right way to go with the term 'part'. We presuppose a unity before we even talk of its parts, so we can't get into contradictions and paradoxes about their relationships.
Anything which has parts must be one thing, and parts are of a one, not of a many [Plato]
     Full Idea: The whole of which the parts are parts must be one thing composed of many; for each of the parts must be part, not of a many, but of a whole.
     From: Plato (Parmenides [c.364 BCE], 157c)
     A reaction: This is a key move of metaphysics, and we should hang on to it. The other way madness lies.
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
It seems that the One must be composed of parts, which contradicts its being one [Plato]
     Full Idea: The One must be composed of parts, both being a whole and having parts. So on both grounds the One would thus be many and not one. But it must be not many, but one. So if the One will be one, it will neither be a whole, nor have parts.
     From: Plato (Parmenides [c.364 BCE], 137c09), quoted by Kathrin Koslicki - The Structure of Objects 5.2
     A reaction: This is the starting point for Plato's metaphysical discussion of objects. It seems to begin a line of thought which is completed by Aristotle, surmising that only an essential structure can bestow identity on a bunch of parts.
9. Objects / F. Identity among Objects / 6. Identity between Objects
Two things relate either as same or different, or part of a whole, or the whole of the part [Plato]
     Full Idea: Everything is surely related to everything as follows: either it is the same or different; or, if it is not the same or different, it would be related as part to whole or as whole to part.
     From: Plato (Parmenides [c.364 BCE], 146b)
     A reaction: This strikes me as a really helpful first step in trying to analyse the nature of identity. Two things are either two or (actually) one, or related mereologically.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
     Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
     Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
     Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity?
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
     Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1
     A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you?
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
     Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7
     A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well.
The main purpose of art is to express the unity of human life [Hegel]
     Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty'
     A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity.
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
     Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics)
     A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify?
25. Social Practice / E. Policies / 5. Education / c. Teaching
Only a great person can understand the essence of things, and an even greater person can teach it [Plato]
     Full Idea: Only a man of very great natural gifts will be able to understand that everything has a class and absolute essence, and an even more wonderful man can teach this.
     From: Plato (Parmenides [c.364 BCE], 135a)
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / d. The unlimited
The unlimited has no shape and is endless [Plato]
     Full Idea: The unlimited partakes neither of the round nor of the straight, because it has no ends nor edges.
     From: Plato (Parmenides [c.364 BCE], 137e)
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / e. The One
Some things do not partake of the One [Plato]
     Full Idea: The others cannot partake of the one in any way; they can neither partake of it nor of the whole.
     From: Plato (Parmenides [c.364 BCE], 159d)
     A reaction: Compare Idea 231
The only movement possible for the One is in space or in alteration [Plato]
     Full Idea: If the One moves it either moves spatially or it is altered, since these are the only motions.
     From: Plato (Parmenides [c.364 BCE], 138b)
Everything partakes of the One in some way [Plato]
     Full Idea: The others are not altogether deprived of the one, for they partake of it in some way.
     From: Plato (Parmenides [c.364 BCE], 157c)
     A reaction: Compare Idea 233.
28. God / B. Proving God / 2. Proofs of Reason / a. Ontological Proof
We couldn't discuss the non-existence of the One without knowledge of it [Plato]
     Full Idea: There must be knowledge of the one, or else not even the meaning of the words 'if the one does not exist' would be known.
     From: Plato (Parmenides [c.364 BCE], 160d)