5 ideas
| 14288 | 'If A,B' affirms that A⊃B, and also that this wouldn't change if A were certain [Jackson, by Edgington] |
| Full Idea: According to Jackson, in asserting 'If A,B' the speaker expresses his belief that A⊃B, and also indicates that this belief is 'robust' with respect to the antecedent A - the speaker would not abandon A⊃B if he were to learn that A. | |
| From: report of Frank Jackson (On Assertion and Indicative Conditionals [1979]) by Dorothy Edgington - Conditionals (Stanf) 4.2 | |
| A reaction: The point is that you must not believe A⊃B solely on the dubious grounds of ¬A. This is 'to ensure an assertable conditional is fit for modus ponens' - that is, that you really will affirm B when you learn that A is true. Nice idea. |
| 13769 | Conditionals are truth-functional, but should only be asserted when they are confident [Jackson, by Edgington] |
| Full Idea: Jackson holds that conditionals are truth-functional, but are governed by rules of assertability, rather like 'but' compared to 'and'. The belief must be 'robust' - the speaker would not abandon his belief that A⊃B if he were to learn that A. | |
| From: report of Frank Jackson (On Assertion and Indicative Conditionals [1979]) by Dorothy Edgington - Conditionals 17.3.2 | |
| A reaction: This seems to spell out more precisely the pragmatic approach to conditionals pioneered by Grice, in Idea 13767. The idea is make conditionals 'fit for modus ponens'. They mustn't just be based on a belief that ¬A. |
| 23888 | Knowledge is beyond question, as an unavoidable component of thinking [Weil] |
| Full Idea: The speaker refuses to pose the question of knowledge, since knowledge is a given that is mixed with thought, and that no thinking being can get away from. | |
| From: Simone Weil (Philosophy [1941], p.42) | |
| A reaction: On the whole I favour belief-first, but I take the primary purpose of minds to be navigation, and that needs facts, not hopeful beliefs. Weil's thought pushes me a bit towards the knowledge first view. |
| 23887 | Art (like philosophy) establishes a relation between world and self, and between oneself and others [Weil] |
| Full Idea: Isn't true art a method for establishing a certain relation between the world and the self, and between oneself and others, and isn't that the equivalent of philosophy? | |
| From: Simone Weil (Philosophy [1941], p.38) | |
| A reaction: I hope the definition of 'true' art doesn't have to conform to achieving this relation. I suppose each good work of art shows you a distinctive way of relating to the world. An interesting thought (as so often with this thinker). |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |