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All the ideas for 'Mahaprajnaparamitashastra', 'Jerry A. Fodor on himself' and 'Languages of Art (2nd edn)'

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12 ideas

12. Knowledge Sources / D. Empiricism / 2. Associationism
Associations are held to connect Ideas together in the way the world is connected together [Fodor]
     Full Idea: The laws of associations were held to explicate the semantic coherence of intentional processes, which adjust the causal relations among Ideas to reflect corresponding relations among the things that they're ideas of.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.296)
     A reaction: With the support of evolution, and the backing of a correspondence theory of truth, plus more sophistication in the associations, this might work.
15. Nature of Minds / B. Features of Minds / 4. Intentionality / b. Intentionality theories
Intentional science needs objects with semantic and causal properties, and which obey laws [Fodor]
     Full Idea: If there is to be an intentional science, there must be semantically evaluable things which have causal powers, and there must be laws relating beliefs and desires to one another, and to actions.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.293)
     A reaction: The semantics and causation sound fair enough, but the prospect of finding laws looks bleak (though, contrary to Davidson, I don't see why they can't exist).
Intentional states and processes may be causal relations among mental symbols [Fodor]
     Full Idea: It may be that intentional states are relations to mental symbols, and mental processes are implemented by causal relations among these symbols.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.296)
     A reaction: It is hard to see how something could have causal powers just by being a symbol. The theory needs something else to drive the causation.
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
Most psychological properties seem to be multiply realisable [Fodor]
     Full Idea: These days most philosophers of mind suppose that most psychological properties are multiply realisable.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.298)
     A reaction: This is just speculation. The physical part may seem very different, but turn out to be identical in the ways that matter (like a knife made of two different metals).
18. Thought / A. Modes of Thought / 4. Folk Psychology
Folk psychology explains behaviour by reference to intentional states like belief and desire [Fodor]
     Full Idea: Folk psychology is primarily intentional explanation; it's the idea that people's behaviour can be explained by reference to the contents of their beliefs and desires.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.292)
     A reaction: Sounds good. To reject folk psychology (as reductivists tend to) is to reject the existence of significant intentional states which have causal properties
18. Thought / C. Content / 6. Broad Content
How could the extrinsic properties of thoughts supervene on their intrinsic properties? [Fodor]
     Full Idea: It is hard to see how the extrinsic properties of thoughts could supervene on their intrinsic properties.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.299)
     A reaction: This doesn't seem a big problem. Sometimes represented experiences establish the match; sometimes the match is not very good, or even wrong.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
     Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
     Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations.
     From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
A performance is only an instance of a work if there is not a single error [Goodman]
     Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics)
     A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal.
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]
     Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2
     A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
26. Natural Theory / D. Laws of Nature / 9. Counterfactual Claims
Laws are true generalisations which support counterfactuals and are confirmed by instances [Fodor]
     Full Idea: Laws are true generalisations that support counterfactuals and are confirmed by their instances.
     From: Jerry A. Fodor (Jerry A. Fodor on himself [1994], p.293)
     A reaction: This seems correct, but it doesn't disentangle laws as mental states from laws as features of nature