Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Artistic Value and Opportunistic Moralism' and 'The Metaontology of Abstraction'

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15 ideas

2. Reason / F. Fallacies / 1. Fallacy
It is a fallacy to explain the obscure with the even more obscure [Hale/Wright]
     Full Idea: The fallacy of 'ad obscurum per obscurius' is to explain the obscure by appeal to what is more obscure.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §3)
     A reaction: Not strictly a fallacy, so much as an example of inadequate explanation, along with circularity and infinite regresses.
5. Theory of Logic / F. Referring in Logic / 1. Naming / d. Singular terms
Singular terms refer if they make certain atomic statements true [Hale/Wright]
     Full Idea: Anyone should agree that a justification for regarding a singular term as having objectual reference is provided just as soon as one has justification for regarding as true certain atomic statements in which it functions as a singular term.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §9)
     A reaction: The meat of this idea is hidden in the word 'certain'. See Idea 10314 for Hale's explanation. Without that, the proposal strikes me as absurd.
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright]
     Full Idea: A third way has been offered to 'make sense' of neo-Fregeanism: we should reject Quine's well-known criterion of ontological commitment in favour of one based on 'truth-maker theory'.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §4 n19)
     A reaction: [The cite Ross Cameron for this] They reject this proposal, on the grounds that truth-maker theory is not sufficient to fix the grounding truth-conditions of statements.
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright]
     Full Idea: It is claimed that neo-Fregeans are committed to 'maximalism' - that whatever can exist does.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §4)
     A reaction: [The cite Eklund] They observe that maximalism denies contingent non-existence (of the £20 note I haven't got). There seems to be the related problem of 'hyperinflation', that if abstract objects are generated logically, the process is unstoppable.
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright]
     Full Idea: Identity is sometimes read so that 'Pegasus is Pegasus' expresses a truth, the non-existence of any winged horse notwithstanding.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §5)
     A reaction: This would give you ontological commitment to truth, without commitment to existence. It undercuts the use of identity statements as the basis of existence claims, which was Frege's strategy.
8. Modes of Existence / B. Properties / 3. Types of Properties
Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright]
     Full Idea: There is a compatibilist view which says that it is for the abundant properties to play the role of 'bedeutungen' in semantic theory, and the sparse ones to address certain metaphysical concerns.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §9)
     A reaction: Only a philosopher could live with the word 'property' having utterly different extensions in different areas of discourse. They similarly bifurcate words like 'object' and 'exist'. Call properties 'quasi-properties' and I might join in.
8. Modes of Existence / B. Properties / 10. Properties as Predicates
A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright]
     Full Idea: The good standing of a predicate is already trivially sufficient to ensure the existence of an associated property, a (perhaps complex) way of being which the predicate serves to express.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §9)
     A reaction: 'Way of being' is interesting. Is 'being near Trafalgar Sq' a way of being? I take properties to be 'features', which seems to give a clearer way of demarcating them. They say they are talking about 'abundant' (rather than 'sparse') properties.
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright]
     Full Idea: Abstractionism needs a face-value, existentially committed reading of the terms occurring on the left-hand sides together with sameness of truth-conditions across the biconditional.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §5)
     A reaction: They employ 'abstractionism' to mean their logical Fregean strategy for defining abstractions, not to mean the older psychological account. Thus the truth-conditions for being 'parallel' and for having the 'same direction' must be consistent.
Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright]
     Full Idea: Abstraction principles purport to introduce fundamental means of reference to a range of objects, to which there is accordingly no presumption that we have any prior or independent means of reference.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §8)
     A reaction: There's the rub! They make it sound like a virtue, that we open up yet another heaven of abstract toys to play with. As fictions, they are indeed exciting new fun. As platonic discoveries they strike me as Cloud-Cuckoo Land.
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Reference needs truth as well as sense [Hale/Wright]
     Full Idea: It takes, over and above the possession of sense, the truth of relevant contexts to ensure reference.
     From: B Hale / C Wright (The Metaontology of Abstraction [2009], §9)
     A reaction: Reference purely through sense was discredited by Kripke. The present idea challenges Kripke's baptismal realist approach. How do you 'baptise' an abstract object? But isn't reference needed prior to the establishment of truth?
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
     Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro)
     A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art.
We should understand what is morally important in a story, without having to endorse it [John,E]
     Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating')
     A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me.
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
     Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency')
     A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics.
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]
     Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr)
     A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').