Combining Texts

All the ideas for 'fragments/reports', 'Representation in Music' and 'The Theory of Objects'

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10 ideas

4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
So-called 'free logic' operates without existence assumptions [Meinong, by George/Van Evra]
     Full Idea: Meinong has recently been credited with inspiring 'free logic': a logic without existence assumptions.
     From: report of Alexius Meinong (The Theory of Objects [1904]) by George / Van Evra - The Rise of Modern Logic 8
     A reaction: This would appear to be a bold escape from the quandries concerning the existential implications of quantifiers. I immediately find it very appealing. It seems to spell disaster for the Quinean program of deducing ontology from language.
9. Objects / A. Existence of Objects / 2. Abstract Objects / c. Modern abstracta
There can be impossible and contradictory objects, if they can have properties [Meinong, by Friend]
     Full Idea: Meinong (and Priest) leave room for impossible objects (like a mountain made entirely of gold), and even contradictory objects (such as a round square). This would have a property, of 'being a contradictory object'.
     From: report of Alexius Meinong (The Theory of Objects [1904]) by Michèle Friend - Introducing the Philosophy of Mathematics 6.8
     A reaction: This view is only possible with a rather lax view of properties. Personally I don't take 'being a pencil' to be a property of a pencil. It might be safer to just say that 'round squares' are possible linguistic subjects of predication.
9. Objects / A. Existence of Objects / 3. Objects in Thought
There are objects of which it is true that there are no such objects [Meinong]
     Full Idea: There are objects of which it is true that there are no such objects.
     From: Alexius Meinong (The Theory of Objects [1904]), quoted by Peter van Inwagen - Existence,Ontological Commitment and Fictions p.131
     A reaction: Van Inwagen say this idea is 'infamous', but Meinong is undergoing a revival, and commitment to non-existent objects may be the best explanation of some ways of talking.
Meinong says an object need not exist, but must only have properties [Meinong, by Friend]
     Full Idea: Meinong distinguished between 'existing objects' and 'subsisting objects', and being an object does not imply existence, but only 'having properties'.
     From: report of Alexius Meinong (The Theory of Objects [1904]) by Michèle Friend - Introducing the Philosophy of Mathematics 6.8
     A reaction: Meinong is treated as a joke (thanks to Russell), but this is good. "Father Christmas does not exist, but he has a red coat". He'd better have some sort of existy aspect if he is going to have a property. So he's 'an object'. 'Insubstantial'?
9. Objects / A. Existence of Objects / 4. Impossible objects
Meinong said all objects of thought (even self-contradictions) have some sort of being [Meinong, by Lycan]
     Full Idea: Meinong insisted (à la Anselm) that any possible object of thought - even a self-contradictory one - has being of a sort even though only a few such things are so lucky as to exist in reality as well.
     From: report of Alexius Meinong (The Theory of Objects [1904]) by William Lycan - Philosophy of Language Ch.1
     A reaction: ['This idea gave Russell fits' says Lycan]. In the English-speaking world this is virtually the only idea for which Meinong is remembered. Russell (Idea 5409) was happy for some things to merely 'subsist' as well as others which could 'exist'.
The objects of knowledge are far more numerous than objects which exist [Meinong]
     Full Idea: The totality of what exists, including what has existed and what will exist, is infinitely small in comparison with the totality of Objects of knowledge.
     From: Alexius Meinong (The Theory of Objects [1904]), quoted by William Lycan - The Trouble with Possible Worlds 01
     A reaction: This is rather profound, but the word 'object' doesn't help. I would say 'What we know concerns far more than what merely exists'.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Reference without predication is the characteristic of expression [Scruton]
     Full Idea: Characteristic of expression is the presence of 'reference' without predication.
     From: Roger Scruton (Representation in Music [1976], p.71)
     A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting.
21. Aesthetics / B. Nature of Art / 5. Art as Language
If music refers to love, it contains no predication, so it is expression, not language [Scruton]
     Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression.
     From: Roger Scruton (Representation in Music [1976], p.63-4)
     A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure.
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is not representational, since thoughts about a subject are never essential to it [Scruton]
     Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music.
     From: Roger Scruton (Representation in Music [1976], p.74)
     A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells?
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?