Combining Texts

All the ideas for 'fragments/reports', 'Events and Semantic Architecture' and 'The Artworld'

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3 ideas

19. Language / B. Reference / 5. Speaker's Reference
No language is semantically referential; it all occurs at the level of thought or utterance [Pietroski, by Hofweber]
     Full Idea: For Paul Pietroski no expression in natural language is semantically referential. ....Reference to objects occurs not at the level of semantics, but at the level of thought or utterance.
     From: report of Paul M. Pietroski (Events and Semantic Architecture [2004]) by Thomas Hofweber - Ontology and the Ambitions of Metaphysics 07.2
     A reaction: Love this. It has always struck me that reference is what speakers do. Try taking any supposedly referential description and sticking 'so-called' in front of it. That seems to leave you with the reference even though you have denied the description.
21. Aesthetics / B. Nature of Art / 6. Art as Institution
A thing is only seen as art in an 'artworld', which has a theory and a history [Danto]
     Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld.
     From: Arthur C. Danto (The Artworld [1964], II)
     A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?