4 ideas
| 19494 | Fictionalism allows that simulated beliefs may be tracking real facts [Yablo] |
| Full Idea: The fictionalist offers the option that your simulated beliefs and assertions may be tracking a realm of genuine facts, or a realm of what you take to be facts. | |
| From: Stephen Yablo (Go Figure: a Path through Fictionalism [2001], 13) | |
| A reaction: This means that fictionalism does not have to be an error theory. That is, we aren't mistakenly believing something that we actually made up. Instead we are sensibly believing something we know to be not literally true. Love it. |
| 19493 | Governing possible worlds theory is the fiction that if something is possible, it happens in a world [Yablo] |
| Full Idea: The governing fiction of possible worlds theory says that whenever something is possible, there is a world where it happens. | |
| From: Stephen Yablo (Go Figure: a Path through Fictionalism [2001], 05) | |
| A reaction: This sounds like the only sensible attitude to possible worlds I can think of. |
| 5495 | Instances of pain are physical tokens, but the nature of pain is more abstract [Putnam, by Lycan] |
| Full Idea: In machine functionalism, pain tokens (individual instances of pain) are identical with particular neurophysiological states, but pain itself, the kind, universal, or 'type', can be identified only with something more abstract. | |
| From: report of Hilary Putnam (The Mental Life of Some Machines [1967]) by William Lycan - Introduction - Ontology p.6 | |
| A reaction: This is where the "what is it like?" question seems important. Pain doesn't seem like a physical object, or an abstract idea. Personally I think the former is more likely to be correct than the latter. Causation by pain is not like causation by gravity. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |