18 ideas
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 20086 | Nowadays sovereignty (once the basis of a state) has become relative [Reybrouck] |
| Full Idea: In the twenty-first century, sovereignty, once the basis of the nation state, has become a relative concept. ...Powerlessness is the key word of our time. | |
| From: David van Reybrouck (Against Elections [2013], 1 'Crisis') | |
| A reaction: The point is that nation states now have limited power, in the face of larger unions, multinational companies, and global problems. |
| 20090 | Today it seems almost impossible to learn the will of the people [Reybrouck] |
| Full Idea: Imagine having to develop a system today that would express the will of the people. | |
| From: David van Reybrouck (Against Elections [2013], 2 'electoral') | |
| A reaction: Our recent Brexit referendum didn't do the job, because it was confined to a single question. Van Reybrouck laughs at the idea of expressing it through a polling both. How about a council of 500, drawn by lots? Meet for three months. |
| 20087 | There are no united monolothic 'peoples', and no 'national gut feelings' [Reybrouck] |
| Full Idea: There is no such thing as one monolithic 'people' (every society has its diversity), nor is there anything that could be described as a 'national gut feeling'. | |
| From: David van Reybrouck (Against Elections [2013], 2 'populism') | |
| A reaction: Rousseau yearned for a republic no bigger than Geneva. I don't see why we should give up on the general will in huge modern societies. It is likely, though, to be an anodyne lowest common denominator. No bad thing, perhaps. |
| 20089 | Technocrats may be efficient, but they lose legitimacy as soon as they do unpopular things [Reybrouck] |
| Full Idea: Efficiency does not automatically generate legitimacy, and faith in the technocrat melts away as soon as spending cuts are implemented. | |
| From: David van Reybrouck (Against Elections [2013], 2 'democracy') | |
| A reaction: They can hang on to legitimacy if they can come up with some technical mumbo-jumbo like 'monetarism' which the people will swallow. |
| 20088 | Technocrats are expert managers, who replace politicians, and can be long-term and unpopular [Reybrouck] |
| Full Idea: Technocracy is a system where experts are charged with looking after the public interest. ...Technocrats are managers who replace politicians, so they can concentrate on long-term solutions and announce unpopular measures. | |
| From: David van Reybrouck (Against Elections [2013], 2 'technocracy') | |
| A reaction: I like technocrats. They just need to be accountable. In the UK we have far more respect for the governor of the Bank of England than for any politician. |
| 20085 | Democracy is the best compromise between legitimacy and efficiency [Reybrouck] |
| Full Idea: Democracy is the least bad form of all governments precisely because it attempts to find a healthy balance between legitimacy and efficiency. | |
| From: David van Reybrouck (Against Elections [2013], 1 'Crisis') | |
| A reaction: There seems to be a widespread feeling that democracy is declining in efficiency, and that may be because our remoteness from government decreases legitimacy, so we have less commitment to getting things done. |
| 20095 | A referendum result arises largely from ignorance [Reybrouck] |
| Full Idea: In a referendum you ask everyone to vote on a subject that usually only a few know anything about. | |
| From: David van Reybrouck (Against Elections [2013], 4 'remedies') | |
| A reaction: Tell me about it! I was forced to vote in the 2016 Brexit referendum, and felt thoroughly out of my depth on such a complex economic question. |
| 20094 | You don't really govern people if you don't involve them [Reybrouck] |
| Full Idea: Even with the best of intentions, those who govern the people without involving them, govern them only in a limited sense. | |
| From: David van Reybrouck (Against Elections [2013], 4 intro) | |
| A reaction: But if they are highly involved, who is governing who? Do we want the people to become happier about being governed, or do we want them more involved in doing the governing? |
| 20093 | In the 18th century democratic lots lost out to elections, that gave us a non-hereditary aristocracy [Reybrouck] |
| Full Idea: The drawing of lots, the most democratic of all political instruments, lost out in the eighteenth century to elections, a procedure that was not invented as a democratic instrument, but as a means of bringing a new non-hereditary aristocracy to power. | |
| From: David van Reybrouck (Against Elections [2013], 3 'democratisation') | |
| A reaction: This is the basic thesis of Van Reybrouck's book. He argues for the extensive use of lots ('sortition') for getting people involved in modern democracies. I love the idea that in a good democracy you get an occasional chance to rule. |
| 20091 | Representative elections were developed in order to avoid democracy [Reybrouck] |
| Full Idea: Bernard Manin (1995) revealed how, immediately after the American and French revolutions, the electoral-representative system was chosen with the intention of keeping at bay the tumult of democracy. | |
| From: David van Reybrouck (Against Elections [2013], 3 'procedure') | |
| A reaction: At the time America and France were two of the largest countries in the world, and communication and transport were slow. That has changed. |