17 ideas
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 4060 | The right to life does not bestow the right to use someone else's body to support that life [Thomson] |
| Full Idea: Having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person's body. | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.131) | |
| A reaction: A very nice point. You have a right to your life once you are the sole owner of it. |
| 4062 | No one is morally required to make huge sacrifices to keep someone else alive for nine months [Thomson] |
| Full Idea: No one is morally required to make large sacrifices, of health, and other interests and commitments, for nine months, in order to keep another person alive. | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.135) | |
| A reaction: It is a trade-off. It might become a duty if society (or even a husband) urgently needed the baby. |
| 4695 | Maybe abortion can be justified despite the foetus having full human rights [Thomson, by Foot] |
| Full Idea: Thomson suggests that abortion can be justified without the need to deny that the foetus has the moral rights of a human person. | |
| From: report of Judith (Jarvis) Thomson (A Defense of Abortion [1971]) by Philippa Foot - Killing and Letting Die p.86 | |
| A reaction: Thomson uses a dubious analogy between pregnancy and being hooked up to someone for life-support. Presumably killing an innocent person is occasionally justifiable, but the situation would normally be more abnormal than pregnancy. |
| 4696 | The foetus is safe in the womb, so abortion initiates its death, with the mother as the agent. [Foot on Thomson] |
| Full Idea: A fetus is not in jeopardy because it is in the womb, so an abortion originates the fatal sequence, and the mother is the agent. Hence Thomson's argument is invalid, and we must return to question of the moral status of the foetus. | |
| From: comment on Judith (Jarvis) Thomson (A Defense of Abortion [1971]) by Philippa Foot - Killing and Letting Die p.86 | |
| A reaction: The problem would be if a 'person' was safe, but only if I continue some sustained effort which is not required of me by normal duties. |
| 4057 | A newly fertilized ovum is no more a person than an acorn is an oak tree [Thomson] |
| Full Idea: A newly fertilized ovum, a newly implanted clump of cells, is no more a person than an acorn is an oak tree. | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.125) | |
| A reaction: This relies heavily on the philosopher's concept of a 'person', but it seems right to me. |
| 4058 | Is someone's right to life diminished if they were conceived by a rape? [Thomson] |
| Full Idea: Can we say that a person has a right to life only if they didn't come into existence through rape, or that the latter have less right to life? | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.126) | |
| A reaction: This would clearly be an inconsistency for some opponents of abortion who allow rape as an exception. |
| 4059 | It can't be murder for a mother to perform an abortion on herself to save her own life [Thomson] |
| Full Idea: It cannot seriously be thought to be murder if a mother performs an abortion on herself to save her own life (if, say, she had a serious heart condition). | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.127) | |
| A reaction: An extreme view might condemn such an action, but it can hardly be based on the 'sanctity of life'. |
| 4061 | The right to life is not a right not to be killed, but not to be killed unjustly [Thomson] |
| Full Idea: Maybe the right to life consists not in the right not to be killed, but in the right not to be killed unjustly. | |
| From: Judith (Jarvis) Thomson (A Defense of Abortion [1971], p.131) | |
| A reaction: Sounds tautological. There is no right to life, then, but just the requirement that people behave justly? |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |