24 ideas
| 2098 | The principle of sufficient reason is needed if we are to proceed from maths to physics [Leibniz] |
| Full Idea: In order to proceed from mathematics to physics the principle of sufficient reason is necessary, that nothing happens without there being a reason why it should be thus rather than otherwise. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], §2) |
| 3646 | There is always a reason why things are thus rather than otherwise [Leibniz] |
| Full Idea: Nothing happens without a sufficient reason why it should be thus rather than otherwise. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 3.2) |
| 2104 | No reason could limit the quantity of matter, so there is no limit [Leibniz] |
| Full Idea: There is no possible reason which could limit the quantity of matter; therefore there cannot in fact be any such limitation. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 4.21) |
| 19385 | All simply substances are in harmony, because they all represent the one universe [Leibniz] |
| Full Idea: All simple substances will always have a harmony among themselves, because they always represent the same universe. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], V §91), quoted by Richard T.W. Arthur - Leibniz | |
| A reaction: We can accept that the universe itself does not contain contradictions (how could it), but it is a leap of faith to say that all monads represent the universe well enough to avoid contradictions. Maps can contradict one another. |
| 21346 | The ratio between two lines can't be a feature of one, and cannot be in both [Leibniz] |
| Full Idea: If the ratio of two lines L and M is conceived as abstracted from them both, without considering which is the subject and which the object, which will then be the subject? We cannot say both, for then we should have an accident in two subjects. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 5th Paper, §47), quoted by John Heil - Relations 'External' | |
| A reaction: [compressed] Leibniz is rejecting external relations as having any status in ontology. It looks like a mistake (originating in Aristotle) to try to shoehorn the ontology of relations into the substance-properties framework. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 2102 | Atomism is irrational because it suggests that two atoms can be indistinguishable [Leibniz] |
| Full Idea: There are no two individuals indiscernible from one another - leaves, or drops of water, for example. This is an argument against atoms, which, like the void, are opposed to the principles of a true metaphysic. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 4.04) |
| 2106 | The only simple things are monads, with no parts or extension [Leibniz] |
| Full Idea: According to me there is nothing simple except true monads, which have no parts and no extensions. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 5.24) |
| 2105 | Things are infinitely subdivisible and contain new worlds, which atoms would make impossible [Leibniz] |
| Full Idea: The least corpuscle is actually subdivided ad infinitum and contains a world of new created things, which this universe would lack if this corpuscle were an atom. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 4.PS) |
| 20965 | Leibniz upheld conservations of momentum and energy [Leibniz, by Papineau] |
| Full Idea: In place of Descartes's conservation of 'quantity of motion', Leibniz upheld both the conservation of linear momentum and the conservation of kinetic energy. | |
| From: report of Gottfried Leibniz (Letters to Samuel Clarke [1716], 5th paper) by David Papineau - Thinking about Consciousness App 2 | |
| A reaction: The point is that momentum involves velocity (which includes direction) rather than speed. Leibniz more or less invented the concept of 'energy' ('vis viva'). Papineau says these two leave no room for causation by mental substance. |
| 2103 | The idea that the universe could be moved forward with no other change is just a fantasy [Leibniz] |
| Full Idea: To say that God could cause the universe to move forward in a straight line or otherwise without changing it in any other way is another fanciful supposition. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 4.14) |
| 2100 | Space and time are purely relative [Leibniz] |
| Full Idea: I have more than once stated that I held space to be something purely relative, like time. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 3.4) |
| 2107 | No time exists except instants, and instants are not even a part of time, so time does not exist [Leibniz] |
| Full Idea: How could a thing exist, no part of which ever exists? In the case of time, nothing exists but instants, and an instant is not even a part of time. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 5.49) |
| 2101 | If everything in the universe happened a year earlier, there would be no discernible difference [Leibniz] |
| Full Idea: To ask why God did not make everything a year sooner would be reasonable if time were something apart from temporal things, but time is just the succession of things, which remains the same if the universe is created a year sooner. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], 3.6) |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |
| 22894 | If time were absolute that would make God's existence dependent on it [Leibniz, by Bardon] |
| Full Idea: Leibniz argues that if time is a thing in itself, and God is 'in' time, then God would be dependent for His existence on the existence of time. | |
| From: report of Gottfried Leibniz (Letters to Samuel Clarke [1716]) by Adrian Bardon - Brief History of the Philosophy of Time 3 'Newton' | |
| A reaction: Hence Leibniz says time is merely relations between events. Not sure what he thinks an event is. What is God made of? Is there some divine matter upon which God's existence must depend? |
| 2099 | The existence of God, and all metaphysics, follows from the Principle of Sufficient Reason [Leibniz] |
| Full Idea: By this principle alone, that there must be a sufficient reason why things are thus rather than otherwise, I prove the existence of the Divinity, and all the rest of metaphysics or natural theology. | |
| From: Gottfried Leibniz (Letters to Samuel Clarke [1716], §2) |