10 ideas
| 22334 | Analysis must include definitions, search for simples, concept analysis, and Kant's analysis [Glock] |
| Full Idea: Under 'analysis' a minimum would include the Socratic quest for definitions, Descartes' search for simple natures, the empiricists' psychological resolution of complex ideas, and Kant's 'transcendental' analysis of our cognitive capacities. | |
| From: Hans-Johann Glock (What is Analytic Philosophy? [2008], 6.1) | |
| A reaction: This has always struck me, and I find the narrow focus on modern logic a very distorted idea of the larger project. The aim, I think, is to understand by taking things apart, in the spirit of figuring out how a watch works. |
| 22332 | German and British idealism is not about individual ideas, but the intelligibility of reality [Glock] |
| Full Idea: Neither German nor British Idealism reduced reality to episodes in the minds of individuals. Instsead, they insisted that reality is intelligible only because it is a manifestation of a divine spirit or rational principle. | |
| From: Hans-Johann Glock (What is Analytic Philosophy? [2008], 5.2) | |
| A reaction: They standardly reject Berkeley. Such Idealism seems either to be the design argument for God's existence, or neo-Stoicism (in its claim that nature is rational). Why not just say that nature seems to be intelligible, and stop there? |
| 22336 | We might say that the family resemblance is just a consequence of meaning-as-use [Glock] |
| Full Idea: Against Wittgenstein's family resemblance view one might evoke his own idea that the meaning of a word is its use, and that diversity of use entails diversity of meaning. | |
| From: Hans-Johann Glock (What is Analytic Philosophy? [2008], 8.2) | |
| A reaction: Wittgenstein might just accept the point. Diversity of concepts reflects diversity of usage. But how do you distinguish 'football is a game' from 'oy, what's your game?'. How does usage distinguish metaphorical from literal (if it does)? |
| 22335 | The variety of uses of 'game' may be that it has several meanings, and isn't a single concept [Glock] |
| Full Idea: The proper conclusion to draw from the fact that we explain 'game' in a variety of different ways is that it is not a univocal term, but has different, albeit related, meanings. | |
| From: Hans-Johann Glock (What is Analytic Philosophy? [2008], 8.2) | |
| A reaction: [He cites Rundle 1990] Potter says Wittgenstein insisted that 'game' is a single concept. 'Game' certainly slides off into metaphor, as in 'are you playing games with me?'. The multivocal view would still meet family resemblance on a narrower range. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |