11 ideas
| 20100 | Classical liberalism seeks freedom of opinion, of private life, of expression, and of property [Micklethwait/Wooldridge] |
| Full Idea: The classical liberals agreed on a basic list of freedoms: of opinion (including religion), of private life, of expression, and of property | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 9) | |
| A reaction: Mill is main articulator of this. Modern neo-liberals focus on economic freedom. Neither of them seem to make freedom of opportunity central, though I suspect our modern Liberal Party would. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 20097 | The welfare state aims at freedom from want, and equality of opportunity [Micklethwait/Wooldridge] |
| Full Idea: In the classical liberal tradition freedom meant freedom from external control, and equality meant equality before the law. In the welfare state (of Beatrice Webb) freedom was reinterpreted as freedom from want, and equality as equality of opportunity. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: The authors call this the 'third revolution' in government, after 17th century centralisation and early 19th century accountability. Tawney 1931 is the key text. |
| 20099 | For communists history is driven by the proletariat [Micklethwait/Wooldridge] |
| Full Idea: For the communists the proletariat rather than the state was the locomotive of history. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: I feel increasingly reluctant to support any party which appears to mainly represent the interests of a single social class, no matter how large that class may be. An attraction of liberalism is that it makes no reference to class. |
| 20098 | Fans of economic freedom claim that capitalism is self-correcting [Micklethwait/Wooldridge] |
| Full Idea: The central laissez-faire conceit is that capitalism is a self-correcting mechanism. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: This was Keynes's rather left-wing criticism of standard capitalist views. These resurfaced in the 1980s with mantras about the virtues of 'market forces'. |
| 20096 | Roman law entrenched property rights [Micklethwait/Wooldridge] |
| Full Idea: Roman law entrenched property rights. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 1 Intro) | |
| A reaction: Normally attributed to Locke, so this is a good corrective. Was the principle gradually forgotten before Locke? |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |