Combining Philosophers

All the ideas for Timon, Roger Fry and Paul Audi

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24 ideas

7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
17292 Avoid 'in virtue of' for grounding, since it might imply a reflexive relation such as identity [Audi,P]
17295 Ground relations depend on the properties [Audi,P]
17297 A ball's being spherical non-causally determines its power to roll [Audi,P]
17302 Ground is irreflexive, asymmetric, transitive, non-monotonic etc. [Audi,P]
17303 The best critique of grounding says it is actually either identity or elimination [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / b. Relata of grounding
17294 Grounding is a singular relation between worldly facts [Audi,P]
17300 If grounding relates facts, properties must be included, as well as objects [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
17296 We must accept grounding, for our important explanations [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / d. Grounding and reduction
17301 Reduction is just identity, so the two things are the same fact, so reduction isn't grounding [Audi,P]
7. Existence / D. Theories of Reality / 8. Facts / b. Types of fact
17293 Worldly facts are obtaining states of affairs, with constituents; conceptual facts also depend on concepts [Audi,P]
13. Knowledge Criteria / E. Relativism / 3. Subjectivism
2975 That honey is sweet I do not affirm, but I agree that it appears so [Timon]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
17298 Two things being identical (like water and H2O) is not an explanation [Audi,P]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
17299 There are plenty of examples of non-causal explanation [Audi,P]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]