Combining Philosophers

All the ideas for Stilpo, Adolph Rami and Clive Bell

expand these ideas     |    start again     |     specify just one area for these philosophers


40 ideas

3. Truth / B. Truthmakers / 1. For Truthmakers
There are five problems which the truth-maker theory might solve [Rami]
The truth-maker idea is usually justified by its explanatory power, or intuitive appeal [Rami]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
The truth-making relation can be one-to-one, or many-to-many [Rami]
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
Central idea: truths need truthmakers; and possibly all truths have them, and makers entail truths [Rami]
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
Most theorists say that truth-makers necessitate their truths [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
It seems best to assume different kinds of truth-maker, such as objects, facts, tropes, or events [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / c. States of affairs make truths
Truth-makers seem to be states of affairs (plus optional individuals), or individuals and properties [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
'Truth supervenes on being' only gives necessary (not sufficient) conditions for contingent truths [Rami]
'Truth supervenes on being' avoids entities as truth-makers for negative truths [Rami]
3. Truth / B. Truthmakers / 7. Making Modal Truths
Maybe a truth-maker also works for the entailments of the given truth [Rami]
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Truth-making is usually internalist, but the correspondence theory is externalist [Rami]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence theories assume that truth is a representation relation [Rami]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationist truth is an infinitely disjunctive property [Rami]
4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
Truth-maker theorists should probably reject the converse Barcan formula [Rami]
8. Modes of Existence / A. Relations / 2. Internal Relations
Internal relations depend either on the existence of the relata, or on their properties [Rami]
9. Objects / C. Structure of Objects / 2. Hylomorphism / a. Hylomorphism
The extremes of essentialism are that all properties are essential, or only very trivial ones [Rami]
9. Objects / D. Essence of Objects / 3. Individual Essences
An 'individual essence' is possessed uniquely by a particular object [Rami]
9. Objects / D. Essence of Objects / 5. Essence as Kind
'Sortal essentialism' says being a particular kind is what is essential [Rami]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
Unlosable properties are not the same as essential properties [Rami]
10. Modality / A. Necessity / 3. Types of Necessity
Physical possibility is part of metaphysical possibility which is part of logical possibility [Rami]
10. Modality / B. Possibility / 2. Epistemic possibility
If it is possible 'for all I know' then it is 'epistemically possible' [Rami]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
28. God / C. Attitudes to God / 5. Atheism
Stilpo said if Athena is a daughter of Zeus, then a statue is only the child of a sculptor, and so is not a god [Stilpo, by Diog. Laertius]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]