Combining Philosophers

All the ideas for Rescher,N/Oppenheim,P, Richard Wollheim and Barry Maund

expand these ideas     |    start again     |     specify just one area for these philosophers

25 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
12887 A whole must have one characteristic, an internal relation, and a structure [Rescher/Oppenheim]
11. Knowledge Aims / A. Knowledge / 6. Knowing How
7630 Ryle's dichotomy between knowing how and knowing that is too simplistic [Maund]
12. Knowledge Sources / B. Perception / 1. Perception
7632 Perception is sensation-then-concept, or direct-concepts, or sensation-saturated-in-concepts [Maund]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
7635 Sense-data have an epistemological purpose (foundations) and a metaphysical purpose (explanation) [Maund]
12. Knowledge Sources / B. Perception / 6. Inference in Perception
7638 One thesis says we are not aware of qualia, but only of objects and their qualities [Maund]
7642 The Myth of the Given claims that thought is rationally supported by non-conceptual experiences [Maund]
12. Knowledge Sources / B. Perception / 8. Adverbial Theory
7640 Mountains are adverbial modifications of the earth, but still have object-characteristics [Maund]
7641 Adverbialism tries to avoid sense-data and preserve direct realism [Maund]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
18. Thought / C. Content / 1. Content
7637 Thought content is either satisfaction conditions, or exercise of concepts [Maund, by PG]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]