Combining Philosophers

All the ideas for Rescher,N/Oppenheim,P, John Etchemendy and Roger Fry

expand these ideas     |    start again     |     specify just one area for these philosophers


16 ideas

3. Truth / F. Semantic Truth / 1. Tarski's Truth / c. Meta-language for truth
'Snow is white' depends on meaning; whether snow is white depends on snow [Etchemendy]
3. Truth / G. Axiomatic Truth / 1. Axiomatic Truth
We can get a substantive account of Tarski's truth by adding primitive 'true' to the object language [Etchemendy]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Validity is where either the situation or the interpretation blocks true premises and false conclusion [Etchemendy, by Read]
Etchemendy says fix the situation and vary the interpretation, or fix interpretations with varying situations [Etchemendy, by Read]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
A whole must have one characteristic, an internal relation, and a structure [Rescher/Oppenheim]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]