Combining Philosophers

All the ideas for Rayo,A/Uzquiasno,G, W Wimsatt/W Beardsley and Lynne Rudder Baker

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18 ideas

4. Formal Logic / F. Set Theory ST / 1. Set Theory
The two best understood conceptions of set are the Iterative and the Limitation of Size [Rayo/Uzquiano]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / m. Axiom of Separation
Some set theories give up Separation in exchange for a universal set [Rayo/Uzquiano]
5. Theory of Logic / G. Quantification / 2. Domain of Quantification
We could have unrestricted quantification without having an all-inclusive domain [Rayo/Uzquiano]
Absolute generality is impossible, if there are indefinitely extensible concepts like sets and ordinals [Rayo/Uzquiano]
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
Perhaps second-order quantifications cover concepts of objects, rather than plain objects [Rayo/Uzquiano]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
Clay is intrinsically and atomically the same as statue (and that lacks 'modal properties') [Rudder Baker]
The clay is not a statue - it borrows that property from the statue it constitutes [Rudder Baker]
9. Objects / B. Unity of Objects / 3. Unity Problems / d. Coincident objects
Is it possible for two things that are identical to become two separate things? [Rudder Baker]
9. Objects / C. Structure of Objects / 6. Constitution of an Object
Statues essentially have relational properties lacked by lumps [Rudder Baker]
Constitution is not identity, as consideration of essential predicates shows [Rudder Baker]
The constitution view gives a unified account of the relation of persons/bodies, statues/bronze etc [Rudder Baker]
19. Language / F. Communication / 5. Pragmatics / a. Contextual meaning
The domain of an assertion is restricted by context, either semantically or pragmatically [Rayo/Uzquiano]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]