52 ideas
| 15169 | Metaphysics is clarifying how we speak and think (and possibly improving it) [Sidelle] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 15164 | We seem to base necessities on thought experiments and imagination [Sidelle] |
| 13451 | The two best understood conceptions of set are the Iterative and the Limitation of Size [Rayo/Uzquiano] |
| 13452 | Some set theories give up Separation in exchange for a universal set [Rayo/Uzquiano] |
| 13449 | We could have unrestricted quantification without having an all-inclusive domain [Rayo/Uzquiano] |
| 13450 | Absolute generality is impossible, if there are indefinitely extensible concepts like sets and ordinals [Rayo/Uzquiano] |
| 13453 | Perhaps second-order quantifications cover concepts of objects, rather than plain objects [Rayo/Uzquiano] |
| 15180 | There doesn't seem to be anything in the actual world that can determine modal facts [Sidelle] |
| 15184 | Causal reference presupposes essentialism if it refers to modally extended entities [Sidelle] |
| 15172 | Clearly, essential predications express necessary properties [Sidelle] |
| 15181 | Being a deepest explanatory feature is an actual, not a modal property [Sidelle] |
| 15173 | That the essence of water is its microstructure is a convention, not a discovery [Sidelle] |
| 15185 | We aren't clear about 'same stuff as this', so a principle of individuation is needed to identify it [Sidelle] |
| 15175 | Evaluation of de dicto modalities does not depend on the identity of its objects [Sidelle] |
| 15032 | Necessary a posteriori is conventional for necessity and nonmodal for a posteriority [Sidelle, by Sider] |
| 15179 | To know empirical necessities, we need empirical facts, plus conventions about which are necessary [Sidelle] |
| 15171 | The necessary a posteriori is statements either of identity or of essence [Sidelle] |
| 15167 | Empiricism explores necessities and concept-limits by imagining negations of truths [Sidelle] |
| 15177 | Contradictoriness limits what is possible and what is imaginable [Sidelle] |
| 15176 | The individuals and kinds involved in modality are also a matter of convention [Sidelle] |
| 15174 | A thing doesn't need transworld identity prior to rigid reference - that could be a convention of the reference [Sidelle] |
| 15183 | 'Dthat' operates to make a singular term into a rigid term [Sidelle] |
| 15165 | A priori knowledge is entirely of analytic truths [Sidelle] |
| 15168 | That water is essentially H2O in some way concerns how we use 'water' [Sidelle] |
| 15166 | Causal reference seems to get directly at the object, thus leaving its nature open [Sidelle] |
| 15182 | Because some entities overlap, reference must have analytic individuation principles [Sidelle] |
| 13448 | The domain of an assertion is restricted by context, either semantically or pragmatically [Rayo/Uzquiano] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 15178 | Can anything in science reveal the necessity of what it discovers? [Sidelle] |