Combining Philosophers

All the ideas for Pittacus, Roger Fry and G. Aldo Antonelli

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22 ideas

2. Reason / E. Argument / 1. Argument
19115 You can 'rebut' an argument's conclusion, or 'undercut' its premises [Antonelli]
4. Formal Logic / E. Nonclassical Logics / 1. Nonclassical Logics
19119 We infer that other objects are like some exceptional object, if they share some of its properties [Antonelli]
4. Formal Logic / E. Nonclassical Logics / 12. Non-Monotonic Logic
19111 Reasoning may be defeated by new premises, or by finding out more about the given ones [Antonelli]
19114 Should we accept Floating Conclusions, derived from two arguments in conflict? [Antonelli]
19113 Weakest Link Principle: prefer the argument whose weakest link is the stronger [Antonelli]
19116 Non-monotonic core: Reflexivity, Cut, Cautious Monotonicity, Left Logical Equivalence, Right Weakening [Antonelli]
19117 We can rank a formula by the level of surprise if it were to hold [Antonelli]
19118 People don't actually use classical logic, but may actually use non-monotonic logic [Antonelli]
5. Theory of Logic / K. Features of Logics / 10. Monotonicity
19110 In classical logic the relation |= has Monotony built into its definition [Antonelli]
19112 Cautious Monotony ignores proved additions; Rational Monotony fails if the addition's negation is proved [Antonelli]
10. Modality / A. Necessity / 8. Transcendental Necessity
3016 Even the gods cannot strive against necessity [Pittacus, by Diog. Laertius]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]