Combining Philosophers

All the ideas for Pindar, Richard Wollheim and Ian McFetridge

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29 ideas

3. Truth / B. Truthmakers / 1. For Truthmakers
We want to know what makes sentences true, rather than defining 'true' [McFetridge]
7. Existence / D. Theories of Reality / 8. Facts / a. Facts
We normally explain natural events by citing further facts [McFetridge]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity overrules all other necessities [McFetridge]
The fundamental case of logical necessity is the valid conclusion of an inference [McFetridge, by Hale]
In the McFetridge view, logical necessity means a consequent must be true if the antecedent is [McFetridge, by Hale]
Logical necessity requires that a valid argument be necessary [McFetridge]
Traditionally, logical necessity is the strongest, and entails any other necessities [McFetridge]
It is only logical necessity if there is absolutely no sense in which it could be false [McFetridge]
The mark of logical necessity is deduction from any suppositions whatever [McFetridge]
10. Modality / B. Possibility / 2. Epistemic possibility
We assert epistemic possibility without commitment to logical possibility [McFetridge]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Objectual modal realists believe in possible worlds; non-objectual ones rest it on the actual world [McFetridge]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Modal realists hold that necessities and possibilities are part of the totality of facts [McFetridge]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
Nomos is king [Pindar]