41 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
| 16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
| 16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
| 16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
| 14508 | A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM] |
| 14511 | There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM] |
| 16463 | Adams says actual things have haecceities, but not things that only might exist [Adams,RM, by Stalnaker] |
| 12031 | Essences are taken to be qualitative properties [Adams,RM] |
| 12034 | If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM] |
| 14510 | Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM] |
| 16455 | Black's two globes might be one globe in highly curved space [Adams,RM] |
| 14507 | Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM] |
| 11964 | Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar] |
| 16451 | Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker] |
| 11901 | Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P] |
| 14512 | Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM] |
| 12032 | Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |