42 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 18915 | If facts are the truthmakers, they are not in the world [Engelbretsen] |
| 18919 | There are no 'falsifying' facts, only an absence of truthmakers [Engelbretsen] |
| 18913 | Traditional term logic struggled to express relations [Engelbretsen] |
| 18907 | Term logic rests on negated terms or denial, and that propositions are tied pairs [Engelbretsen] |
| 18912 | Was logic a branch of mathematics, or mathematics a branch of logic? [Engelbretsen] |
| 18922 | Logical syntax is actually close to surface linguistic form [Engelbretsen] |
| 18905 | Propositions can be analysed as pairs of terms glued together by predication [Engelbretsen] |
| 18908 | Standard logic only negates sentences, even via negated general terms or predicates [Engelbretsen] |
| 18917 | Existence and nonexistence are characteristics of the world, not of objects [Engelbretsen] |
| 16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
| 16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
| 16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
| 16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
| 18916 | Facts are not in the world - they are properties of the world [Engelbretsen] |
| 18921 | Individuals are arranged in inclusion categories that match our semantics [Engelbretsen] |
| 18918 | Terms denote objects with properties, and statements denote the world with that property [Engelbretsen] |
| 18920 | 'Socrates is wise' denotes a sentence; 'that Socrates is wise' denotes a proposition [Engelbretsen] |
| 18906 | Negating a predicate term and denying its unnegated version are quite different [Engelbretsen] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |