18 ideas
| 22140 | The greatest philosophers are methodical; it is what makes them great [Grice] |
| 13856 | Conditionals are truth-functional, but we must take care with misleading ones [Grice, by Edgington] |
| 8948 | The odd truth table for material conditionals is explained by conversational conventions [Grice, by Fisher] |
| 13767 | Conditionals might remain truth-functional, despite inappropriate conversational remarks [Edgington on Grice] |
| 10990 | Conditionals are truth-functional, but unassertable in tricky cases? [Grice, by Read] |
| 14277 | A person can be justified in believing a proposition, though it is unreasonable to actually say it [Grice, by Edgington] |
| 7751 | Meaning needs an intention to induce a belief, and a recognition that this is the speaker's intention [Grice] |
| 7752 | Only the utterer's primary intention is relevant to the meaning [Grice] |
| 7753 | We judge linguistic intentions rather as we judge non-linguistic intentions, so they are alike [Grice] |
| 22330 | Grice said patterns of use are often semantically irrelevant, because it is a pragmatic matter [Grice, by Glock] |
| 18045 | Grice's maxim of quality says do not assert what you believe to be false [Grice, by Magidor] |
| 18044 | Grice's maxim of manner requires one to be as brief as possible [Grice, by Magidor] |
| 10991 | Key conversational maxims are 'quality' (assert truth) and 'quantity' (leave nothing out) [Grice, by Read] |
| 18046 | Grice's maxim of quantity says be sufficiently informative [Grice, by Magidor] |
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
| 16745 | No one even knows the nature and properties of a fly - why it has that colour, or so many feet [Bacon,R] |